Lucian Freud non .È solo l'artista più celebrato che lavora in Inghilterra, ma anche uno dei più riservati. Ha spesso dichiarato la sua riluttanza a essere fotografato e non ha quasi mai accettato di essere intervistato. Dopo la pubblicazione degli ultimi dieci anni del suo lavoro da parte di Jonathan Cape nell'autunno del 2005, il pittore ha accettato di parlare con Sebastian Smee, uno scrittore d'arte che rispetta molto, in una serie di conversazioni piuttosto che in interviste formali. Vuole parlare della pittura in sé, delle esigenze del suo lavoro e dei pittori che ammira. Due fotografi hanno avuto accesso allo studio di Freud. Il defunto Bruce Bernard .È stato un amico per molti anni e il soggetto di due dipinti di Freud. Bernard era un'autorità in fatto di fotografia, un grande editor di immagini e anche un fotografo molto bravo. Ha realizzato numerosi studi di Freud al lavoro. Negli ultimi cinque anni in particolare, l'assistente di Freud, il pittore David Dawson, ha fotografato costantemente l'artista. I risultati rivelano varie fasi di lavori in corso, tra cui dipinti dello stesso Dawson, e l'intensità dell'attività in questo dominio molto segreto. L'unico precedente di un simile documento potrebbe essere costituito dalle fotografie di Picasso al lavoro di David Douglas Duncan, ma nulla di così esteso .È stato pubblicato prima su un pittore così importante.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Lucian Freud was born in Berlin in 1922. He is the grandson of Sigmund Freud. His work has been recognised and exhibited since 1944 in the major museums worldwide. His recent shows include a retrospective at the Tate, an exhibition on Constable which he selected for the Grand Palais in Paris and a show at the Wallace Collection, London. He will be shown at the next Venice Biennale.
Sebastian Smee comes from Sydney but until recently he was one of the art critics for the Daily Telegraph. He has now returned to write for a Sydney newspaper and to cover the international art scene.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings In fair condition, suitable as a study copy. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1650grams, ISBN:0224078712. Codice articolo 9434930
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Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1650grams, ISBN:9780224078719. Codice articolo 8681308
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HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo GB-9780224078719
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. 2006. Reprint. hardcover. Lucian Freud is the most celebrated artist in England. Following the publication of his work by Jonathan Cape in the autumn of 2005, the painter talks in a series of conversations rather than formal interviews. He talks about painting itself, the demands of his own work, and the painters he admires. Num Pages: 256 pages, 125 full-colour plates. BIC Classification: 1DBKE; 3JJ; ACX; AFC; AGB. Category: (G) General (US: Trade). Dimension: 268 x 237 x 31. Weight in Grams: 1522. . . . . . Codice articolo V9780224078719
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Hardcover. Condizione: new. Hardcover. A rare insight into the mind of the greatest portrait painter of our time, accompanied by intimate photographs of the artist at work in his studio.Lucian Freud is not only the most celebrated artist working in England, but one of the most private. He has frequently stated his reluctance to be photographed and he has almost never agreed to be interviewed. Following the publication of the last ten years of his work by Jonathan Cape in the autumn of 2005, the painter has agreed to talk to Sebastian Smee, a writer on art whom he greatly respects, in a series of conversations rather than formal interviews. He wants to talk about painting itself, the demands of his own work and the painters he admires.Two photographers have had access to Freud's studio. The late Bruce Bernard was a friend for many years and the subject of two of Freud's paintings. Bernard was an authority on photography, a great picture editor, and also a very fine photographer. He made a number of studies of Freud at work. Over the last five years in particular, Freud's assistant, the painter David Dawson, has been photographing the artist constantly. The results reveal various stages of works in progress, including paintings of Dawson himself, and the intensity of the activity in this very secret domain. The only precedent to such a document might be David Douglas Duncan's photographs of Picasso at work, but nothing as extensive has been published on such a major painter before. Lucian Freud is not only the most celebrated artist working in England, but one of the most private. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780224078719
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Da: Lectioz Books, Gloucester, NSW, Australia
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Jacket has contact plastic applied which has wrinkled on the flaps but not exterior. The tips of five pages had been folded, otherwise internally very clean. Binding tight. 240pp Lucian Freud is not only the most celebrated artist working in England, but one of the most private. He has frequently stated his reluctance to be photographed and he has almost never agreed to be interviewed. Following the publication of the last ten years of his work by Jonathan Cape in the autumn of 2005, the painter has agreed to talk to Sebastian Smee, a writer on art whom he greatly respects, in a series of conversations rather than formal interviews. He wants to talk about painting itself, the demands of his own work and the painters he admires.Two photographers have had access to Freud's studio. The late Bruce Bernard was a friend for many years and the subject of two of Freud's paintings. Bernard was an authority on photography, a great picture editor, and also a very fine photographer. He made a number of studies of Freud at work. Over the last five years in particular, Freud's assistant, the painter David Dawson, has been photographing the artist constantly. The results reveal various stages of works in progress, including paintings of Dawson himself, and the intensity of the activity in this very secret domain. The only precedent to such a document might be David Douglas Duncan's photographs of Picasso at work, but nothing as extensive has been published on such a major painter before. Size: 235mm x 265mm. Book. Codice articolo 028735
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