In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country’s urban black youth developed kwaito—a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today—who face high unemployment, extreme inequality, and widespread crime—Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa’s crucial social and political problems by, in fact, seeming to ignore them.
Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren’t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that “music is always political,” Steingo elucidates a music that thrives on its radically ambiguous relationship with politics, power, and the state.
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Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized. Codice articolo M022636254XZ2
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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condizione: Good. In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country?s urban black youth developed kwaito?a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today?who face high unemployment, extreme inequality, and widespread crime?Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa?s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren?t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that ?music is always political,? Steingo elucidates a music that thrives on its radically ambiguous relationship with politics, power, and the state. Codice articolo 00109186198
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Da: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condizione: Good. In mid-1990s South Africa, apartheid ended, Nelson Mandela was elected president, and the country?s urban black youth developed kwaito?a form of electronic music (redolent of North American house) that came to represent the post-struggle generation. In this book, Gavin Steingo examines kwaito as it has developed alongside the democratization of South Africa over the past two decades. Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today?who face high unemployment, extreme inequality, and widespread crime?Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa?s crucial social and political problems by, in fact, seeming to ignore them. Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren?t escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that ?music is always political,? Steingo elucidates a music that thrives on its radically ambiguous relationship with politics, power, and the state. Codice articolo CIN022636254XG
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Da: GreatBookPrices, Columbia, MD, U.S.A.
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Da: Brook Bookstore On Demand, Napoli, NA, Italia
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Da: PBShop.store US, Wood Dale, IL, U.S.A.
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. Series: Chicago Studies in Ethnomusicology. Num Pages: 320 pages, illustrations. BIC Classification: 1HFMS; 3JJP; HBJH; HBLW3; JFSL3; JHMC. Category: (P) Professional & Vocational. Dimension: 155 x 230 x 21. Weight in Grams: 442. . 2016. Paperback. . . . . Codice articolo V9780226362540
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Da: PBShop.store UK, Fairford, GLOS, Regno Unito
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