Based on extensive new archival research, Edith Wharton and Genre: Beyond
Fiction offers the first study of Wharton’s full engagement with original writing in
genres outside those with which she has been most closely identified. So much
more than an acclaimed novelist and short story writer, Wharton is reconsidered
in this book as a controversial playwright, a gifted poet, a trailblazing travel
writer, an innovative and subversive critic, a hugely influential design writer, and
an author who overturned the conventions of autobiographical form. Her
versatility across genres did not represent brief sidesteps, temporary diversions
from what has long been read as her primary role as novelist. Each was pursued
fully and whole-heartedly, speaking to Wharton’s very sense of herself as an
artist and her connected vision of artistry and art. The stories of these other Edith
Whartons, born through her extraordinary dexterity across a wide range of
genres, and their impact on our understanding of her career, are the focus of this
new study, revealing a bolder, more diverse, subversive and radical writer than
has long been supposed.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Laura Rattray is Reader in American Literature at the University of Glasgow,
Scotland, and Director of its Centre for American Studies. Her work on Wharton
includes, as editor, Edith Wharton in Context (2012), The Unpublished Writings of
Edith Wharton (2009), Edith Wharton’s The Custom of the Country (2010), Summer
(2015) and, with Jennifer Haytock, The New Edith Wharton Studies (2019).
‘In Rattray’s hands, Edith Wharton is re-presented as a writer mastering a wide
range of genres beyond the celebrated fiction. Wharton’s achievements in
poetry, drama, architecture and design, criticism, memoir, and travel writing
emerge as sites for her most confident, radical experiments. This game-changing
book will lay to rest the image of the grand dame, showing Wharton to defy
categorization and to be as “large” and full of “multitudes” as the Whitman she
so admired.’
— Emily J. Orlando, Professor of English at Fairfield University, USA,
and author of Edith Wharton and the Visual Arts (2007)
Based on extensive new archival research, Edith Wharton and Genre: Beyond
Fiction offers the first study of Wharton’s full engagement with original writing in
genres outside those with which she has been most closely identified. So much
more than an acclaimed novelist and short story writer, Wharton is reconsidered
in this book as a controversial playwright, a gifted poet, a trailblazing travel
writer, an innovative and subversive critic, a hugely influential design writer, and
an author who overturned the conventions of autobiographical form. Her
versatility across genres did not represent brief sidesteps, temporary diversions
from what has long been read as her primary role as novelist. Each was pursued
fully and whole-heartedly, speaking to Wharton’s very sense of herself as an
artist and her connected vision of artistry and art. The stories of these other Edith
Whartons, born through her extraordinary dexterity across a wide range of
genres, and their impact on our understanding of her career, are the focus of thisnew study, revealing a bolder, more diverse, subversive and radical writer than
has long been supposed.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Based on extensive new archival research, Edith Wharton and Genre: BeyondFiction offers the first study of Wharton's full engagement with original writing ingenres outside those with which she has been most closely identified. So muchmore than an acclaimed novelist and short story writer, Wharton is reconsideredin this book as a controversial playwright, a gifted poet, a trailblazing travelwriter, an innovative and subversive critic, a hugely influential design writer, andan author who overturned the conventions of autobiographical form. Herversatility across genres did not represent brief sidesteps, temporary diversionsfrom what has long been read as her primary role as novelist. Each was pursuedfully and whole-heartedly, speaking to Wharton's very sense of herself as anartist and her connected vision of artistry and art. The stories of these other EdithWhartons, born through her extraordinary dexterity across a wide range ofgenres, and their impact on our understanding of her career, are the focus of thisnew study, revealing a bolder, more diverse, subversive and radical writer thanhas long been supposed. 252 pp. Englisch. Codice articolo 9780230361669
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