Framing timely and pressing questions concerning music and cultural rights, this collection illustrates the ways in which music--as a cultural practice, a commercial product, and an aesthetic form--has become enmeshed in debates about human rights, international law, and struggles for social justice. The essays in this volume examine how interpretations of cultural rights vary across societies; how definitions of rights have evolved; and how rights have been invoked in relation to social struggles over cultural access, use, representation, and ownership. The individual case studies, many of them based on ethnographic field research, demonstrate how musical aspects of cultural rights play out in specific cultural contexts, including the Philippines, China, Hawaii, Peru, Ukraine, and Brazil.
Contributors are Nimrod Baranovitch, Adriana Helbig, Javier F. León, Ana María Ochoa, Silvia Ramos, Helen Rees, Felicia Sandler, Amy Ku'uleialoha Stillman, Ricardo D. Trimillos, Andrew N. Weintraub, and Bell Yung.
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Da: THE CROSS Art + Books, Sydney, NSW, Australia
23.0 x 15.0cms 312pp very good+ paperback & cover (crease along back cover) This book has 8 essays: teh Philippines at the 1998 Smithsonian folklife festival; folk music in the People's Republic of China; a key to reclaiming the right to reconstruct Hawaiian history; the case of the Afroperuvian Cajon; UNESCO & China's Qin music in the 21st century; Pomani musicians & cultural rights discourse in the Ukraine; the chase of Chinese Tibetan musician Han Hong; cultural group & the youth from th Favelas as responses to violence in Brazil; indigenous musics as worldwide community. Codice articolo 20238988
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