John Ford Made Westerns: Filming the Legend in the Sound Era - Brossura

Brossura

ISBN 10: 0253214149 ISBN 13: 9780253214140

Casa editrice: Indiana Univ Pr, 2001

Riassunto

Fresh perspectives on some of the most influential films of John Ford.

The Western is arguably the most popular and enduring form in cinematic history, and the acknowledged master of that genre was John Ford. His Westerns, including The Searchers, Stagecoach, and The Man Who Shot Liberty Valance, have had an enormous influence on contemporary U.S. films, from Star Wars to Taxi Driver.

In John Ford Made Westerns, nine major essays by prominent scholars of Hollywood film situate the sound-era Westerns of John Ford within contemporary critical contexts and regard them from fresh perspectives. These range from examining Ford’s relation to other art forms (most notably literature, painting, and music) to exploring the development of the director’s reputation as a director of Westerns. While giving attention to film style and structure, the volume also treats the ways in which these much-loved films engage with notions of masculinity and gender roles, capitalism and community, as well as racial, sexual, and national identity.

Contributors include Charles Ramirez Berg, Matthew Bernstein, Edward Buscombe, Joan Dagle, Barry Keith Grant, Kathryn Kalinak, Peter Lehman, Charles J. Maland, Gaylyn Studlar, and Robin Wood.

Contents
Part I
Introduction, Gaylyn Studlar & Matthew Bernstein

"‘Shall We Gather at the River?’: The Late Films of John Ford," Robin Wood
"Sacred Duties, Poetic Passions: John Ford and Issue of Femininity in the Western," Gaylyn Studlar
"The Margin as Center: The Multicultural Dynamics of John Ford’s Westerns," Charles Ramirez Berg
"Linear Patterns and Ethnic Encounters in the Ford Western," Joan Dagle
"How the West Wasn't Won: the Repression of Capitalism in John Ford's Westerns," Peter Lehman
"Painting the Legend: Frederic Remington and the Western," Edward Buscombe
"‘The Sound of Many Voices’: Music in John Ford’s Westerns," Kathryn Kalinak
"John Ford and James Fenimore Cooper: Two Ro

Su questo libro

Informazioni sugli autori

Gaylyn Studlar is Director and Professor of Film Studies and English at the University of Michigan, Ann Arbor. She has published widely on issues of gender in Hollywood cinema.

Matthew Bernstein is the author of Walter Wanger, Hollywood Independent, editor of Controlling Hollywood: Censorship and Regulation in the Studio Era, and co-editor (with Gaylyn Studlar) of Visions of the East: Orientalism in Film. He is Associate Professor of Film Studies at Emory University.

Gaylyn Studlar is Director and Professor of Film Studies and English at the University of Michigan, Ann Arbor. She has published widely on issues of gender in Hollywood cinema.

Matthew Bernstein is the author of Walter Wanger, Hollywood Independent, editor of Controlling Hollywood: Censorship and Regulation in the Studio Era, and co-editor (with Gaylyn Studlar) of Visions of the East: Orientalism in Film. He is Associate Professor of Film Studies at Emory University.

Dettagli dell'edizione

• Editore: Indiana Univ Pr
• Data di pubblicazione: 2001
• Lingua: Inglese
• ISBN 10: 0253214149
• ISBN 13: 9780253214140
• Rilegatura: Copertina flessibile
• Numero di pagine: 312
• Redattore: Studlar Gaylyn, Bernstein Matthew
• Contatto del produttore: non disponibile
• Persona responsabile: non disponibile