Excerpt from Cours de Composition Musicale, Vol. 2: Seconde Partie
Il n'y a point lieu d'être surpris de rencontrer ici quelques apercus d'ordre éminemment général, qui eussent trouvé au début du cours DE composition une place tom aussi légitime l'expérience montre que le lecteur, qui nous a suivis depuis ce début, est maintenant beaucoup plus apte à en pénétrer toute la portée. Or, nous n'avons point d'autre but que l'enseignement méthodique de ce qui a trait à la Composition musicale; et les nécessités de la méthode nous ont déjà contraints à certaines transpositions, ainsi qu'on a pu le voir notamment à pro pos des motifs cycliques ou conducteurs, dont plusieurs ont été em pruntés, par avance, à des oeuvres qui appartiennent aux matières trai tées dans le présent volume (i). Un rapide aperçu de ces matières fera prévoir l'opportunité d'autres transpositions analogues ou corrélatives, qui se rencontreront au cours des six chapitres qui vont suivre.
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Paperback. Condizione: New. Print on Demand. This book examines the diverse forms and functions of symphonic orchestral music. The author provides a thorough guide to the instruments and techniques used in composing for orchestra and explores the historical and practical considerations that shape their use. It also delves into the relationship between orchestral music and other forms of musical expression, including opera and chamber music. By tracing the evolution of orchestration from its origins to the present day, the book offers a comprehensive understanding of the art form and its enduring influence on Western classical music. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item. Codice articolo 9780259547556_0
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