Burroughs brings an especially wide range of explanatory models—from social history, cultural anthropology, iconology and semiotics—to bear in his analysis of urban reform and the shifts in architectural design that emerged in early Renaissance Rome.
Applying the latest practices from critical theory and discourse to the built environment of early Renaissance Rome, Charles Burroughs sees the city as a field of visual communication and rhetoric. He explores the symbolic dimension of the cultural landscape and the operation of architectural and other visual signs in the urban environment. The result is a profound reconceiving of the implications for the study of Renaissance Rome of the notion of the city as "text." Central to Burrough's project is the articulation of a model of cultural mediation and production that is distinct from the standard notion of patronage as a unilateral transaction.
On one level From Signs to Design focuses on the production of social meaning in and through environmental process during the pontificate of Nicholas V, celebrated for his intimate links to the new culture of humanism and as an archetypal patron of the arts and literature. On another, it is an elucidation of the origins and the ideological impact of architectural and urbanistic motifs and conceptions of spatial order that were central to the Western tradition of monumental city planning.
Burroughs brings an especially wide range of explanatory models—from social history, cultural anthropology, iconology and semiotics—to bear in his analysis of urban reform and the shifts in architectural design that emerged in early Renaissance Rome. He focuses in particular on the material basis and context of these shifts, which he studies through the examination of contrasting neighborhoods, social milieus, and institutions, as well as of individuals prominently involved with important building projects or with the general maintenance and improvement of urban facilities and infrastructure. Burroughs provides a concrete and differentiated picture of the intersection of papal/ecclesiastical and local interest and initiatives, placing this within the context of marked political changes. And he devotes extensive discussions to the artistic expression of papal agendas and concerns in Nicholas's private chapel and in Alberti's Tempio Malatestiano.
Contents
Urban Pattern and Symbolic Landscapes • Interior Architectures: Discordance and Resolution in the Frescoes of Nicholas's Private Chapel • Far and Near Perspectives: Urban Ordering and Neighborhood Change in Nicholan Rome • Middlemen: Lines of Contact, Mutual Advantage, and Command • The Other Rome: Sacrality and Ideology in the Holy Quarter • Mirror and Frame: The Surrounding Region and the Long Road • Epilogue: The River, the Book, and the Basilica
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Da: Sequitur Books, Boonsboro, MD, U.S.A.
Hardcover. Condizione: Very Good. Hardcover and dust jacket. Good binding and cover. Shelf wear. Small tears to jacket. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US. Codice articolo 2305110080
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Da: Anybook.com, Lincoln, Regno Unito
Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:9780262022989. Codice articolo 4131834
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Da: AVON HILL BOOKS, Cambridge, MA, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. Light edgewear to dust jacket. ; B/w ilustrations. ; tall 8vo 9" - 10" tall; 344 pp. Codice articolo 29479
Quantità: 1 disponibili
Da: Colin Martin Books, Near Hull, EY, Regno Unito
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. octavo xii, 344 pages, There is one small ink stamp of a publisher on the front free end paper. Overall a very Good copy in a Good, chipped dust jacket. Codice articolo 095622
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Da: George Longden, Macclesfield, Regno Unito
Hardback. Condizione: Very Good. Condizione sovraccoperta: Very Good. Burgundy cloth. A little worn with a few small tears at edges of jacket. 255 x 175 mm. xiv, 348 pp + 54 pages of b&w figures. Book. Codice articolo 80002
Quantità: 1 disponibili
Da: Borkert, Schwarz und Zerfaß GbR, Berlin, Germania
hardcover w/ dj. Condizione: Sehr gut. 358 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). Very good, clean copy. Burroughs brings an especially wide range of explanatory models?from social history, cultural anthropology, iconology and semiotics?to bear in his analysis of urban reform and the shifts in architectural design that emerged in early Renaissance Rome. Applying the latest practices from critical theory and discourse to the built environment of early Renaissance Rome, Charles Burroughs sees the city as a field of visual communication and rhetoric. He explores the symbolic dimension of the cultural landscape and the operation of architectural and other visual signs in the urban environment. The result is a profound reconceiving of the implications for the study of Renaissance Rome of the notion of the city as "text." Central to Burrough's project is the articulation of a model of cultural mediation and production that is distinct from the standard notion of patronage as a unilateral transaction. On one level From Signs to Design focuses on the production of social meaning in and through environmental process during the pontificate of Nicholas V, celebrated for his intimate links to the new culture of humanism and as an archetypal patron of the arts and literature. On another, it is an elucidation of the origins and the ideological impact of architectural and urbanistic motifs and conceptions of spatial order that were central to the Western tradition of monumental city planning. Burroughs brings an especially wide range of explanatory models?from social history, cultural anthropology, iconology and semiotics?to bear in his analysis of urban reform and the shifts in architectural design that emerged in early Renaissance Rome. He focuses in particular on the material basis and context of these shifts, which he studies through the examination of contrasting neighborhoods, social milieus, and institutions, as well as of individuals prominently involved with important building projects or with the general maintenance and improvement of urban facilities and infrastructure. Burroughs provides a concrete and differentiated picture of the intersection of papal/ecclesiastical and local interest and initiatives, placing this within the context of marked political changes. And he devotes extensive discussions to the artistic expression of papal agendas and concerns in Nicholas's private chapel and in Alberti's Tempio Malatestiano. Contents Urban Pattern and Symbolic Landscapes ? Interior Architectures: Discordance and Resolution in the Frescoes of Nicholas's Private Chapel ? Far and Near Perspectives: Urban Ordering and Neighborhood Change in Nicholan Rome ? Middlemen: Lines of Contact, Mutual Advantage, and Command ? The Other Rome: Sacrality and Ideology in the Holy Quarter ? Mirror and Frame: The Surrounding Region and the Long Road ? Epilogue: The River, the Book, and the Basilica ISBN 9780262022989 Sprache: Englisch Gewicht in Gramm: 990. Codice articolo 1222950
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Da: Asano Bookshop, Nagoya, AICHI, Giappone
HRD. Condizione: Very Good. Hardcover, slightly wear on the edge of the books , pages inside are on good condition, 26.0x18.5cm, 344pp, dust jacket. Codice articolo a22463
Quantità: 1 disponibili
Da: Mispah books, Redhill, SURRE, Regno Unito
Hardcover. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book. Codice articolo ERICA82902620229823
Quantità: 1 disponibili