Looks at how photographer Alfred Stieglitz and the critics drew on early twentieth-century discourses on sex and the psyche, particularly theories of Sigmund Freud and Havelock Ellis, to characterize the artwork in Stieglitz's circle.
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Marcia Brennan is Associate Professor of Art History at Rice University. She has previously taught art history at Brown University and the College of the Holy Cross. She is the author of Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics (2002) and Modernism's Masculine Subjects: Matisse, the New York School, and Post-Painterly Abstraction (2006), both published by the MIT Press.
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Hardcover. Condizione: New. In this text, the author examines how Stieglitz and the critics drew on early-20th-century discourses on sex and the psyche, particularly the theories of Sigmund Freud and Havelock Ellis, to characterize the artworks of the Stieglitz circle. Critics routinely described the often highly abstracted paintings of Georgia O'Keeffe, Arthur Dove, John Marin, Marsden Hartley, and Charles Demuth as transparent displays of the most intimate aspects of the self, taking both subject matter and painterly form to be guided by the artists own gendered and psychic energies. He also shows how the identities of all five Stieglitz circle artists were presented in terms of the masculinity and femininity, and the heterosexuality and homosexuality, thought to be embedded in their work. Illustrated. A 1st editon, with its dust-jacket, in new condition. (378 pages). Codice articolo 2477
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