Winner of the Spiro Kostof Book Award given by the Society of Architectural Historians.
Winner of the 1997 Alice Davis Hitchcock Medallion
Anyone reviewing the history of architectural theory, Robin Evans observes, would have to conclude that architects do not produce geometry, but rather consume it. In this long-awaited book, completed shortly before its author's death, Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form. He shows that geometry does not always play a stolid and dormant role but, in fact, may be an active agent in the links between thinking and imagination, imagination and drawing, drawing and building. He suggests a theory of architecture that is based on the many transactions between architecture and geometry as evidenced in individual buildings, largely in Europe, from the fifteenth to the twentieth century.
From the Henry VII chapel at Westminster Abbey to Le Corbusier's Ronchamp, from Raphael's S. Eligio and the work of Piero della Francesca and Philibert Delorme to Guarino Guarini and the painters of cubism, Evans explores the geometries involved, asking whether they are in fact the stable underpinnings of the creative, intuitive, or rhetorical aspects of architecture. In particular he concentrates on the history of architectural projection, the geometry of vision that has become an internalized and pervasive pictorial method of construction and that, until now, has played only a small part in the development of architectural theory.
Evans describes the ambivalent role that pictures play in architecture and urges resistance to the idea that pictures provide all that architects need, suggesting that there is much more within the scope of the architect's vision of a project than what can be drawn. He defines the different fields of projective transmission that concern architecture, and investigates the ambiguities of projection and the interaction of imagination with projection and its metaphors.
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Destinazione, tempi e costiDa: Walden Books, London, Regno Unito
Hardback. Condizione: Very Good+. Condizione sovraccoperta: Very Good. Please note that this is a heavy item and may require additional postage for international shipping ; Dust jacket lightly rubbed, slight creasing at top-edge, prior price label at base of rear panel; Black paper boards clean and sharp, very mild sunning at top-edge, Pages lightly age-toned, B&W plates; Binding tight. This volume recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history and aesthetics. ; 9 x 11.25"; 413 pages. Codice articolo 52760
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Da: Joseph Burridge Books, Dagenham, Regno Unito
Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. xxxvii, 413 pages : illustrations ; 29 cm. Summary:"Evans suggests a theory of architecture that is based on the many transactions between architecture and geometry as evidenced in individual buildings, largely in Europe, from the fifteenth to the twentieth century. From the Henry VII Chapel at Westminster Abbey to Le Corbusier's Ronchamp, from Raphael's Sant'Eligio and the work of Piero della Francesca and Philibert Delorme to Guarino Guarini and the painters of cubism, Evans explores the geometries involved, asking whether they are in fact the stable underpinnings of the creative, intuitive, or rhetorical aspects of architecture. In particular he concentrates on the history of architectural projection, the geometry of vision that has become an internalized and pervasive pictorial method of construction and that, until now, has played only a small part in the development of architectural theory.". Codice articolo 23jbew108
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Da: Nighttown Books, Powell, WY, U.S.A.
Hard Cover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. First Printing in dust jacket, no text markings, NOT ex-lib, binding tight pages bright, former owner blindstamp to endpaper corner, a Fine First Edition in like dj (now in mylar protector); 4to; (xxxvii) 413pp indexed & illus. Extra shipping charge REQUIRED for shipment of this heavy oversize book (additional charge WILL BE SUBSTANTIAL for expedited or overseas shipment). Codice articolo 33014
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Da: HPB-Red, Dallas, TX, U.S.A.
hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! Codice articolo S_408015865
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Da: Goodwill of Colorado, COLORADO SPRINGS, CO, U.S.A.
Condizione: VeryGood. This item shows limited signs of wear overall with minor scuffs or cosmetic blemishes. No curled corners, bent covers or damage to dust jackets. No highlighting/ writing in pages. Digital codes may not be included and have not been tested to be redeemable and/or active. Please note that all items are donated goods and are in used condition. Orders shipped Monday through Friday! Your purchase helps put people to work and learn life skills to reach their full potential. Orders shipped Monday through Friday. Your purchase helps put people to work and learn life skills to reach their full potential. Thank you! Codice articolo 466QI00011CV
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Da: Griffin Books, Stamford, CT, U.S.A.
Hardcover. Condizione: As New. As new looks unread with former owner's attractive book plate to the front paste down. Jacket now in mylar. oversized and overweight. d31 Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal. Codice articolo 106015
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Da: BennettBooksLtd, North Las Vegas, NV, U.S.A.
Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title! Codice articolo Q-0262050498
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Da: Toscana Books, AUSTIN, TX, U.S.A.
Hardcover. Condizione: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Codice articolo Scanned0262050498
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