Entangled: Technology and the Transformation of Performance (MIT Press)

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( su 8 valutazioni fornite da Goodreads )
 
9780262195881: Entangled: Technology and the Transformation of Performance (MIT Press)

This ambitious and comprehensive book explores technology's influence on artistic performance practices in the twentieth and twenty-first centuries. In Entangled, Chris Salter shows that technologies, from the mechanical to the computational--from a "ballet of objects and lights" staged by Diaghilev's Ballets Russes in 1917 to contemporary technologically-enabled "responsive environments"--have been entangled with performance across a wide range of disciplines. Salter examines the rich and extensive history of performance experimentation in theater, music, dance, the visual and media arts, architecture, and other fields; explores the political, social, and economic context for the adoption of technological practices in art; and shows that these practices have a set of common histories despite their disciplinary borders.

Each chapter in Entangled focuses on a different form: theater scenography, architecture, video and image making, music and sound composition, body-based arts, mechanical and robotic art, and interactive environments constructed for research, festivals, and participatory urban spaces. Salter's exhaustive survey and analysis shows that performance traditions have much to teach other emerging practices--in particular in the burgeoning fields of new media. Students of digital art need to master not only electronics and code but also dramaturgy, lighting, sound, and scenography. Entangled will serve as an invaluable reference for students, researchers, and artists as well as a handbook for future praxis.

Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.

About the Author:

Chris Salter is an artist and Assistant Professor of Design and Computation Arts at Concordia University, Montreal. His works, large-scale multimedia environments, have been exhibited worldwide.



Jeremy Pressman is an Assistant Professor in the Department of Political Science at the University of Connecticut,Storrs, Connecticut.

Review:

Salter's Entangled is a rich source book that presents the relationship between performance art and technology in a unique and broad perspective. The manifold artworks described in this overwhelming volume testify to the continuity of artistic exploration throughout the twentieth century and show how contemporary, digitally based practices are rooted in the lasting curiosity about what it means to be human in an age of ever-evolving machine systems.

(Andreas Broeckmann, art theorist and curator, Berlin)

The routes we usually take to tell our stories about media, architecture, embodiment, and movement are challenged here by all-terrain travel: to warp, sing, pixilate, fly. Cross-medial engagement in a wide variety of performance practices is carefully articulated, skillfully performed, smartly theorized, and rigorously historicized, helping us shake off the habitual media-versus-live, or human-versus-machine divide to tangle our sensibilities in far more interesting claims. This is an important book.

(Rebecca Schneider, Brown University)

Entangled stays true to its name. It is one of those rare books that builds networks and bridges - between the body and technology, the material and the ephemeral, thinking and making.

(William Forsythe, Artistic Director, The Forsythe Company, Frankfurt Germany)

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Chris Salter
Editore: MIT Press Ltd, United States (2010)
ISBN 10: 0262195887 ISBN 13: 9780262195881
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Descrizione libro MIT Press Ltd, United States, 2010. Hardback. Condizione libro: New. Language: English . Brand New Book. This ambitious and comprehensive book explores technology s influence on artistic performance practices in the twentieth and twenty-first centuries. In Entangled, Chris Salter shows that technologies, from the mechanical to the computational--from a ballet of objects and lights staged by Diaghilev s Ballets Russes in 1917 to contemporary technologically-enabled responsive environments --have been entangled with performance across a wide range of disciplines. Salter examines the rich and extensive history of performance experimentation in theater, music, dance, the visual and media arts, architecture, and other fields; explores the political, social, and economic context for the adoption of technological practices in art; and shows that these practices have a set of common histories despite their disciplinary borders. Each chapter in Entangled focuses on a different form: theater scenography, architecture, video and image making, music and sound composition, body-based arts, mechanical and robotic art, and interactive environments constructed for research, festivals, and participatory urban spaces. Salter s exhaustive survey and analysis shows that performance traditions have much to teach other emerging practices--in particular in the burgeoning fields of new media. Students of digital art need to master not only electronics and code but also dramaturgy, lighting, sound, and scenography. Entangled will serve as an invaluable reference for students, researchers, and artists as well as a handbook for future praxis. Codice libro della libreria AAZ9780262195881

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Descrizione libro MIT Press Ltd, United States, 2010. Hardback. Condizione libro: New. Language: English . Brand New Book. This ambitious and comprehensive book explores technology s influence on artistic performance practices in the twentieth and twenty-first centuries. In Entangled, Chris Salter shows that technologies, from the mechanical to the computational--from a ballet of objects and lights staged by Diaghilev s Ballets Russes in 1917 to contemporary technologically-enabled responsive environments --have been entangled with performance across a wide range of disciplines. Salter examines the rich and extensive history of performance experimentation in theater, music, dance, the visual and media arts, architecture, and other fields; explores the political, social, and economic context for the adoption of technological practices in art; and shows that these practices have a set of common histories despite their disciplinary borders. Each chapter in Entangled focuses on a different form: theater scenography, architecture, video and image making, music and sound composition, body-based arts, mechanical and robotic art, and interactive environments constructed for research, festivals, and participatory urban spaces. Salter s exhaustive survey and analysis shows that performance traditions have much to teach other emerging practices--in particular in the burgeoning fields of new media. Students of digital art need to master not only electronics and code but also dramaturgy, lighting, sound, and scenography. Entangled will serve as an invaluable reference for students, researchers, and artists as well as a handbook for future praxis. Codice libro della libreria AAZ9780262195881

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Descrizione libro MIT Press Ltd, 2010. Condizione libro: New. 2010. 0th Edition. Hardcover. How technologies, from the mechanical to the computational, have transformed artistic performance practices. Num Pages: 504 pages, 62 b&w photos, 1 b&w illus, 15 halftones. BIC Classification: AB; AFKV; PDR. Category: (P) Professional & Vocational. Dimension: 187 x 235 x 33. Weight in Grams: 1064. . . . . . . Codice libro della libreria V9780262195881

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Descrizione libro MIT Press Ltd. Hardback. Condizione libro: new. BRAND NEW, Entangled: Technology and the Transformation of Performance, Chris Salter, Peter Sellars, This ambitious and comprehensive book explores technology's influence on artistic performance practices in the twentieth and twenty-first centuries. In Entangled, Chris Salter shows that technologies, from the mechanical to the computational--from a "ballet of objects and lights" staged by Diaghilev's Ballets Russes in 1917 to contemporary technologically-enabled "responsive environments"--have been entangled with performance across a wide range of disciplines. Salter examines the rich and extensive history of performance experimentation in theater, music, dance, the visual and media arts, architecture, and other fields; explores the political, social, and economic context for the adoption of technological practices in art; and shows that these practices have a set of common histories despite their disciplinary borders. Each chapter in Entangled focuses on a different form: theater scenography, architecture, video and image making, music and sound composition, body-based arts, mechanical and robotic art, and interactive environments constructed for research, festivals, and participatory urban spaces. Salter's exhaustive survey and analysis shows that performance traditions have much to teach other emerging practices--in particular in the burgeoning fields of new media. Students of digital art need to master not only electronics and code but also dramaturgy, lighting, sound, and scenography. Entangled will serve as an invaluable reference for students, researchers, and artists as well as a handbook for future praxis. Codice libro della libreria B9780262195881

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