From the distinguished art critic and historian, vital essays on key artists and critics, revealing how they redefined art and criticism over the last six decades.
“Serious art anticipates the future as much as it reflects the present,” Hal Foster remarked in a 2015 interview. “By the same token serious art history is driven by the present as much as it is informed by the past.” In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.
In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.
Taking his title from Beckett—“try again, fail again, fail better”—Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his “reckonings” he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Hal Foster is the Townsend Martin Class of 1917 Professor of Art & Archaeology at Princeton University. He is the author of What Comes After Farce? and Brutal Aesthetics, among other books. A member of the American Academy of Arts and Sciences, he coedits October, and writes regularly for The London Review of Books.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Bellwetherbooks, McKeesport, PA, U.S.A.
paperback. Condizione: Good. Bruise/tear to cover. Codice articolo mon0000057560
Quantità: 2 disponibili
Da: Bellwetherbooks, McKeesport, PA, U.S.A.
paperback. Condizione: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting. Codice articolo mon0000038484
Quantità: 7 disponibili
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New. Codice articolo 47820720-n
Quantità: 15 disponibili
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. From the distinguished art critic and historian, vital essays on key artists and critics, revealing how they redefined art and criticism over the last six decades.From the distinguished art critic and historian, vital essays on key artists and critics, revealing how they redefined art and criticism over the last six decades."Serious art anticipates the future as much as it reflects the present," Hal Foster remarked in a 2015 interview. "By the same token serious art history is driven by the present as much as it is informed by the past." In Fail Better, Foster, an art critic and historian whose influential work spans disciplines and decades, brings this peripatetic perspective to contemporary art, art criticism, art history, and his own work over the past 50 years.In these 40 texts, Foster reviews artists from Richard Hamilton and Jasper Johns to Gerhard Richter and Ed Ruscha; considers contemporaries from Louise Lawler and Cindy Sherman to Jeremy Deller and Adam Pendleton; and traces the development of criticism since the early 1960s, with essays on such influential figures as Susan Sontag and Rosalind Krauss and institutions like Artforum magazine and the Whitney Museum Independent Study Program.Taking his title from Beckett-"try again, fail again, fail better"-Foster notes that, etymologically, an essay is always an attempt, more or less failed. Critics fail artworks, because there can never be a definitive reading; art fails its historical moment, because it cannot resolve the contradictions that prompt it. But in these failures Foster finds historical consciousness, and with it the promise of future work, future illumination. In his "reckonings" he turns his own long history of criticism to account, and succeeds in conveying shifting concepts of art and criticism, the work of key artists and critics, and the relationships between criticism, theory, history, and politics over the last six decades. "A collection of Hal Foster's writing as a critic, since 1993"--Provided by publisher. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780262552356
Quantità: 1 disponibili
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 434 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. Codice articolo FaFoMI40
Quantità: 1 disponibili
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: As New. Unread book in perfect condition. Codice articolo 47820720
Quantità: 15 disponibili
Da: Magers and Quinn Booksellers, Minneapolis, MN, U.S.A.
paperback. Condizione: New. Brand New. Codice articolo 1470110
Quantità: 1 disponibili
Da: PBShop.store UK, Fairford, GLOS, Regno Unito
PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000. Codice articolo GB-9780262552356
Quantità: 2 disponibili
Da: Majestic Books, Hounslow, Regno Unito
Condizione: New. Codice articolo 396287810
Quantità: 3 disponibili
Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. Codice articolo 26401170589
Quantità: 3 disponibili