The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art.
In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism.
In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.
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In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception -- the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space -- were central to the development of modern art. The possibility of a spatial fourth dimension suggested that ou...
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Destinazione, tempi e costiDa: Better World Books, Mishawaka, IN, U.S.A.
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Revised Edition. Second printing of the revised edition, hardcover, has a moderate lean to the binding, bumps with light creasing to the spine ends, faint rubbing to the covers with slight shelfwear to the edges and corners, and light sunning to the head. Otherwise, this is a solid, tight, Very Good copy in a like dust jacket, which has bumps with light creasing to the spine ends and corners, and slight rubbing with mild wear to the edges. The jacket is wrapped in Mylar. Codice articolo 202285
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Da: Colin Martin Books, Near Hull, EY, Regno Unito
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Octavo, xxvii, 729 pages, An unused copy, which has a small closed tear on the rear panel of the dust jacket. Essentially a new copy with this minor blemish. Codice articolo 098537
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