The sophistication of the photographic process has had two dramatic results—freeing the artist from the confines of journalistic reproductions and freeing the scientist from the unavoidable imprecision of the artist's prints. So released, both have prospered and produced their impressive nineteenth- and twentieth-century outputs. It is this premise that William M. Ivins, Jr., elaborates in Prints and Visual Communication, a history of printmaking from the crudest wood block, through engraving and lithography, to Talbot's discovery of the negative-positive photographic process and its far reaching consequences.
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Condizione: Good. Volume 10 in Graphic Art: series. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780262590020. Codice articolo 3899288
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paperback. Condizione: Very Good. paperback in very good condition. Codice articolo bml-ki-vg-141144
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Da: moluna, Greven, Germania
Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The sophistication of the photographic process has had two dramatic results—freeing the artist from the confines of journalistic reproductions and freeing the scientist from the unavoidable imprecision of the artist s prints. So released, both have pr. Codice articolo 468104626
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Da: TotalitarianMedia, Los Angeles, CA, U.S.A.
Soft cover. Condizione: Good. No Jacket. Prints and Visual Communication. Ivins, William M. MIT Press, 1969. 190p. trade paperback, covers bumped/scuffed, binding tight, text clean/unmarked ISBN 10: 0262590026ISBN 13: 97802625900209.00. Codice articolo ABE-1687558067184
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