Due in large part to the bombing of the Oklahoma City Federal Building, the crash of TWA Flight 800, and the O. J. Simpson trial, the once-arcane field of forensics has taken hold of the popular imagination. Scene of the Crime, which accompanies an exhibition of the same name organized by UCLA at the Armand Hammer Museum and supported by the Fellows of Contemporary Art, considers the art object as a kind of forensic evidence. Like the chalk outline of a murdered body, certain works of art invoke off-screen drama, prior trauma, or a history redolent of criminality, violation, or mysterious turbulence. From the evidentiary traces presented in these exhibits, the viewer is prompted to reconstruct behavior, motivations, and events. This forensic approach emphasizes the viewer's role as investigator while underscoring the cluelike and contingent status of the art object.
The book is not about works of art that simply document criminal acts. Rather, it is about a strain of art that presents the art object as a clue to absent meanings or actions. From seminal works by Ed Ruscha, Bruce Naumann, Barry Le Va, and David Hammons to recent works by Paul McCarthy, Sharon Lockhart, James Luna, and Anthony Hernandez, this art declares that it is about more than meets the eye, raising the suspicion that a significant segment of contemporary art is concerned with forensic strategies and demands an investigative approach.
Artists:
Terry Allen, D-L Alvarez, John Baldessari, Lewis Baltz, Uta Barth, Nayland Blake, Chris Burden, Vija Celmins, Bruce Conner, Eileen Cowin, John Divola, Sam Durant, Vincent Fecteau, Bob Flanagan and Sheree Rose, Janet Fries, David Hammons, Richard Hawkins, Anthony Hernandez, Alexander Jason, Mike Kelley, Ed and Nancy Kienholz, Barry Le Va, Sharon Lockhart, James Luna, Monica Majoli, Mike Mandel and Larry Sultan, Paul McCarthy, Richard Misrach, Bruce Nauman, Robert Overby, Nancy Reese, Michelle Rollman, Ed Ruscha, Alexis Smith, George Stone, Jeffrey Vallance.
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Da: Newbury Books, Atlanta, GA, U.S.A.
Soft cover. Condizione: Good. 1st. lightly bumped at bottom corner, yellow highlighting on 18 pages. The catalogue of an exhibition at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, July 23 - October 5, 1997. With 107 illustrations. 165pp 0.95lb 9.5x6.7x0.4in. Codice articolo 27379
Quantità: 1 disponibili
Da: The Paper Hound Bookshop, Vancouver, BC, Canada
Soft cover. Condizione: Fine. 166pp. Colour and B&W plates throughout. Codice articolo 249077
Quantità: 1 disponibili
Da: ANARTIST, New York, NY, U.S.A.
Softcover, 168 pages; good condition; 2-inch crease to upper right corner of all pages; no internal marks. Foreign shipping may be extra. Codice articolo ScRuUC50
Quantità: 1 disponibili
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condizione: Good. 8vo. 156 pp. Softcover. Color illustration on cover. Color and black and white illustrations. Very good. 0262680998Provenance:From the collection of the Peter Norton Family Foundation, Santa Monica, CA. In 2003, Norton, the founder of Norton Utilities, became the chairman of the board of MoMA PS1. Codice articolo 17-6412
Quantità: 1 disponibili
Da: The Book Spot, Sioux Falls, MN, U.S.A.
Paperback. Condizione: New. Codice articolo Abebooks29835
Quantità: 1 disponibili
Da: Rotes Antiquariat, Berlin, Germania
165 S., 1 Bl. Mit sehr zahlr. farb. Abb. Gr.-8°, illustr. Orig.-Broschur. Erschien begleitend zur Ausstellung im Armand Hammer Museum of Art and Culture Center, LA. - Überblick über 35 Jahre Kunst an der amerikanischen West Coast. - Sehr gut erhaltenes Exemplar. 1100 gr. Codice articolo KNE43174
Quantità: 1 disponibili