Since the 1960s, an international group of artists has embraced slide projection as a dynamic alternative to the tradition of painting, blending aspects of photography, film, and installation art. Slide Show is the first in-depth examination of how slides evolved into one of the most exciting art forms of our time. Essays by leading scholars and 200 color illustrations provide visual, historical, and critical insight into this unique medium.
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Darsie Alexander is Curator of Prints, Drawings, and Photographs at The Baltimore Museum of Art. A specialist in contemporary and vernacular photography, she has written on the development of posed photographs, representations of the body, and the role of documentation photographs in 1970s performance art.
Charles Harrison is Professor of History and Theory of Art at the Open University, London. From 1966 to 1975, he was a contributing editor to a leading contemporary art journal,Studio International, and he has published extensively on Conceptualism. He is a member of the artists' group Art & Language.
Robert Storr is Rosalie Solow Professor of Modern Art at the Institute of Fine Arts, New York University. He is the curator of Site Santa Fe (2004); his exhibitions also include international retrospectiveson Tony Smith, Chuck Close, Gerhard Richter, and Robert Ryman.
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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condizione: Very Good. Since the Renaissance, most art has been prized because of the prodigious skills that went into its making. Why would any artist choose to work with slides? Is the development of slide art connected to the ferment of the 60s? This book examines Slide Art. Codice articolo CIN0271025417VG
Quantità: 1 disponibili
Da: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condizione: Very Good. Since the Renaissance, most art has been prized because of the prodigious skills that went into its making. Why would any artist choose to work with slides? Is the development of slide art connected to the ferment of the 60s? This book examines Slide Art. Codice articolo CIN0271025417VG
Quantità: 1 disponibili
Da: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condizione: New. 1. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped. Codice articolo 0271025417-9-1
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Da: PlumCircle, West Mifflin, PA, U.S.A.
paperback. Condizione: New. New item in gift quality condition. 99% of orders arrive in 4-10 days. Discounted shipping on multiple books. Codice articolo mon0001217894
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Da: BookHolders, Towson, MD, U.S.A.
Condizione: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: First ] Publisher: Pennsylvania State Univ Pr Pub Date: 4/30/2005 Binding: Paperback Pages: 166 First edition. Codice articolo 6656661
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Da: The Maryland Book Bank, Baltimore, MD, U.S.A.
paperback. Condizione: Very Good. 1st Edition. Used - Very Good. Codice articolo 10-E-5-0204
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Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. 1st Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Codice articolo 42736473-75
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Da: HPB-Diamond, Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Codice articolo S_485530699
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Da: INDOO, Avenel, NJ, U.S.A.
Condizione: New. Brand New. Codice articolo 9780271025414
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardbound. Condizione: New. Illustrated coers. 166 pp. Profusely illustrated in color. Not really a hardback, but very stick covers that are flexible. This finely conceived and timely exhibition catalogue offers an intelligent exploration of an important and intriguing, but also largely unexamined, aspect of post-sixties art: the slide display utilized as artwork in its own right rather than as a medium for viewing reproductions. (Alex Potts) Since the Renaissance, most art has been prized because of the prodigious skills that went into its making. Why would any artist choose to work with slides? Is the development of slide art connected to the ferment of the 60s? This book examines Slide Art. Codice articolo 101943
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