China and Japan both have traditional art forms that have been highly developed and long studied. In these pioneering essays, noted film and art scholars explore how the spatial consciousness, compositional techniques, and construction of images in these traditional and modern art forms also inform filmmaking in these two countries, so that film and art share the same culturally defined "methods of seeing."
This major first study of the relationship between Chinese and Japanese art and film will be of wide interest to historians and film scholars, with applications beyond the Far Eastern context. It demonstrates that while mainstream Hollywood cinema has influenced filmmaking everywhere, other national cinemas cannot be completely understood without considering their indigenous traditions.
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Book by Ehrlich Linda C
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Hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! Codice articolo S_332934173
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Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st Edition. Hardcover. A near fine copy with slight staining to the top edges. The dust jacket is fine. Index, filmography, bibliography, notes. 345 pages with many photos and drawings. Codice articolo 006334
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