A common theme of western American art--from the depictions of Indians by early explorers to the monumental landscapes of Albert Bierstadt to the vibrant images of Georgia O'Keeffe--is the transformation of the land through European-American exploration and resettlement. In this handsome book, leading authorities look at western American art of the past three centuries, reevaluating it from the perspectives of history, art history, and American studies.
Jules David Prown begins the book by discussing the need for interdisciplinary approaches to broaden the study of western American art. Nancy K. Anderson then calls for a reconsideration of western art as art rather than documentation and for the adoption of new methods to probe its aesthetic, historical, political, and cultural complexities. William Cronon explores what an environmental historian might learn from American landscape art, concluding that each image must be read as a multilayered view intertwining past, present, and future within a larger context of progress and expansionism. Examining representations of American Indians, Brian W. Dippie finds that early works pictured Indians caught up in a process of dramatic change while later artists showed them frozen outside of time; when the frontier ended, western art made nostalgia its defining characteristic. Martha A. Sandweiss argues that the ways in which views of the American west and its peoples reached nineteenth-century audiences--through large edition prints, book illustrations, or theatrical exhibitions--significantly affected both the images and the meanings attached to them. Susan Prendergast Schoelwer challenges popular perceptions of the frontier as a womanless domain, discovering abundant pictures of Native American women in the art of the western fur trade. Howard R. Lamar concludes by discussing the changing perceptions of western artists and inhabitants of their region's landscape in the twentieth century.
Publication of this book will coincide with an exhibition organized by the Yale University Art Gallery and the Gilcrease Museum in Tulsa, Oklahoma, opening at the Buffalo Bill Historical Center in Cody, Wyoming.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Book by Prown Professor Jules David Anderson Nancy k Crono
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Codice articolo GRP88555733
Quantità: 1 disponibili
Da: Books From California, Simi Valley, CA, U.S.A.
hardcover. Condizione: Good. Codice articolo mon0003939934
Quantità: 1 disponibili
Da: Isle of Books, Bozeman, MT, U.S.A.
Hardcover. Condizione: Very Good. Codice articolo 539093
Quantità: 1 disponibili
Da: Better World Books Ltd, Dunfermline, Regno Unito
Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Codice articolo 3947182-6
Quantità: 1 disponibili
Da: GoldBooks, Denver, CO, U.S.A.
Hardcover. Condizione: new. New Copy. Customer Service Guaranteed. Codice articolo 32L97_39_0300057229
Quantità: 1 disponibili
Da: Post Horizon Booksellers, Nokomis, SK, Canada
Cloth. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First U.S. Edition. xv, 217pp w endnotes and index. 152 reproductions of art from the exhibition. Grey endpapers. Blue cloth w fine black lettering to spine. No wear to covers or spine. Binding square and sound. Colour illustrated wrapper is clean and without wear. Octavo: 250 x 227mm. Published to accompany the exhibition by the same name, which was shown at the Buffalo Bill Historical Center, 1992, Yale University, 1992/93, and the Gilcrease Musuem, 1993. Codice articolo 046246
Quantità: 1 disponibili
Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Blue cloth, color DJ. 217 pp. Numerous color and bw plates. Published to accompany an exhibition held at Yale from Sept. 19, 1992 to Jan. 3, 1993, two other dates. VG/VG, slight wear to DJ extremities. Codice articolo 18645
Quantità: 1 disponibili
Da: M. W. Cramer Rare and Out Of Print Books, Toronto, ON, Canada
Cloth. Condizione: Fine. Condizione sovraccoperta: Near Fine. First Edition, First Printing. The book is fine in a near fine dust jacket with a scratch on back. Codice articolo 003977
Quantità: 1 disponibili
Da: Sparrow Reads, Edgewood, NM, U.S.A.
Hardcover. Condizione: New. 1st Edition. Codice articolo 004949
Quantità: 1 disponibili
Da: BennettBooksLtd, Los Angeles, CA, U.S.A.
hardcover. Condizione: New. In shrink wrap. Looks like an interesting title! Codice articolo Q-0300057229
Quantità: 1 disponibili