Reframing the Renaissance: Visual Culture in Europe and Latin America, 1450-1650

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9780300062953: Reframing the Renaissance: Visual Culture in Europe and Latin America, 1450-1650

How did the extensive cultural exchange between the Old and New Worlds that took place during the sixteenth century affect artistic practice and discussions of art at that time? In this book distinguished Renaissance art historians reevaluate the Eurocentrism of Italian Renaissance art history by envisioning how the history of Renaissance art would look if cultural interaction and the conditions of reception became the primary focus. Scholars such as Anthony Cutler, Thomas DaCosta Kaufmann, Martin Kemp, Cecelia Klein, and Claudia Lazzaro examine the function, reception, and influence of specific kinds of images and other manufactured objects as they were disseminated around the globe, particularly between Renaissance Italy and Latin America.

The first section, on historiography, identifies significant problems in past conceptualizations of Renaissance art. The next essays examine the conceptual frameworks in which visual representation functioned in Europe and Latin America. The third section discusses early collecting practices and cultural exchange in Europe. Three essays then present case studies of culturally hybrid images―of unruly women, colonial maps, and ethnic stereotypes―in intercultural perspective. In the epilogue, W.J.T. Mitchell examines contemporary views of how we construct the human subject.

Bringing together the familiar and the unfamiliar in a highly thought-provoking way, the book is an important contribution to many fields of study, including historiography, Latin American art, and Renaissance studies.

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From the Back Cover:

How did the extensive cultural exchange that took place between the Old and New Worlds in the sixteenth century affect the artistic practice and discussions of art at that time? With contributions from distinguished Renaissance art historians, this volume reevaluates the Eurocentrism of Italian Renaissance art history, by envisioning how the history of Renaissance art would look if cultural interaction and the conditions of reception were to become the primary focus. Scholars such as Anthony Cutler, Thomas DaCosta Kaufmann, Martin Kemp, Cecelia Klein, and Claudia Lazzaro look at the function, reception, and influence of specific kinds of images and other manufactured objects as they were disseminated around the globe, particularly between Renaissance Italy and Latin America.

About the Author:

Claire Farago is associate professor of art history at the University of Colorado at Boulder.

Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.

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Editore: Yale University Press (1995)
ISBN 10: 0300062958 ISBN 13: 9780300062953
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Descrizione libro Yale University Press, 1995. Hardcover. Condizione libro: New. Codice libro della libreria DADAX0300062958

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Descrizione libro Yale University Press, United States, 1995. Hardback. Condizione libro: New. New.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. How did the extensive cultural exchange between the Old and New Worlds that took place during the sixteenth century affect artistic practice and discussions of art at that time? In this book distinguished Renaissance art historians reevaluate the Eurocentrism of Italian Renaissance art history by envisioning how the history of Renaissance art would look if cultural interaction and the conditions of reception became the primary focus. Scholars such as Anthony Cutler, Thomas DaCosta Kaufmann, Martin Kemp, Cecelia Klein, and Claudia Lazzaro examine the function, reception, and influence of specific kinds of images and other manufactured objects as they were disseminated around the globe, particularly between Renaissance Italy and Latin America. The first section, on historiography, identifies significant problems in past conceptualizations of Renaissance art. The next essays examine the conceptual frameworks in which visual representation functioned in Europe and Latin America. The third section discusses early collecting practices and cultural exchange in Europe. Three essays then present case studies of culturally hybrid images-of unruly women, colonial maps, and ethnic stereotypes-in intercultural perspective. In the epilogue, W.J.T. Mitchell examines contemporary views of how we construct the human subject. Bringing together the familiar and the unfamiliar in a highly thought-provoking way, the book is an important contribution to many fields of study, including historiography, Latin American art, and Renaissance studies. Codice libro della libreria BTE9780300062953

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Descrizione libro 1995. Hardcover. Condizione libro: New. Hardcover. How did the extensive cultural exchange between the Old and New Worlds that took place during the 16th century affect artistic practice and discussions of art at that time? In.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 408 pages. 1.374. Codice libro della libreria 9780300062953

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