At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of "artist". This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality. Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and D|rer, as well as many other less well-known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death. This book brings together a wide range of textual and visual evidence to illuminate the changing attitudes toward artists and their work, and it provides many stimulating insights into Renaissance culture and art history.
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Book by AmesLewis Francis
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Da: Southampton Books, Sag Harbor, NY, U.S.A.
Hardcover. Condizione: Like New. First Edition. First Edition, First Printing. Not price-clipped. Published by Yale University Press, 2000. Octavo. Hardcover. Book is like new. Dust jacket is like new.100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. Codice articolo 390438
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Da: Solr Books, Lincolnwood, IL, U.S.A.
Condizione: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear. Codice articolo BCV.0300083041.VG
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Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice articolo GOR007621003
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Da: Diatrope Books, Berkeley, CA, U.S.A.
Hardcover. Condizione: Very Good. Condizione sovraccoperta: very good. Unmarked text. Dust jacket under clear mylar cover. White label on back. Beautifully illustrated. Ames-Lewis examines the various ways that such Renaissance artists (eg. Mantegna, Leonardo da Vinci, Raphael and Durer) began to engage with intellectual questions, as they sought to elevate the craft of painting to a liberal art. 322p. Measures 6.5x9.5 inches Notes. Bibliography. Index. Codice articolo 35344
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Da: Krüger books, Leuven, Belgio
Hardcover. Condizione: As New. No Jacket. Ex libris book with previous owner's name on the front page. In excellent condition, the book appears unread. Codice articolo 000063
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Da: Mooney's bookstore, Den Helder, Paesi Bassi
Condizione: Very good. Codice articolo E-9780300083040-2-2
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Da: Moe's Books, Berkeley, CA, U.S.A.
Hard cover. Condizione: Good. Condizione sovraccoperta: Very good. Jacket is lightly worn along edges. Cover is lightly worn along edges. Spine is bumped, but binding secure. Light pencil underlines throughout. Codice articolo 1138313
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Da: David's Books, Ypsilanti, MI, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. Codice articolo 1000138172
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Da: Warwick Books, member IOBA, South Pasadena, CA, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. Hardcover in dust jacket. First printing of first edition. Sheet of press information laid in. Fine condition in fine, unclipped dust jacket. Pristine inside and out, with no mars, marks, dings, tears, or writing. Illustrated throughout. Printed on heavy, coated paper. 8vo. 322 pp. including notes, bibliography and index. Codice articolo 96975
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