Sinossi
With essays by Cao Yiqiang, Rita Eder, James Elkins, Arlene K. Fleming, Derek Gillman, Jyotindra Jain, Cecelia F. Klein, Yves Le Fur, Dominic Marner, Anitra Nettleton, John Onians, Edmund P. Pillsbury, Michael Rinehart, David Summers, Wilfried van Damme, and Georges S. Zouain
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How do we do justice to art when we treat it not as a discrete European or other regional tradition, but as a worldwide phenomenon with a long history? In this groundbreaking book, leading academics, curators, bibliographers, and representatives of international organizations from every continent explain the ways they deal with the conflict between the need to compress and the desire to express. Anyone who faces this challenge, whether in developing a course at university or school, writing a textbook, installing a museum collection, mounting an exhibition, or otherwise presenting the world’s cultural heritage will want to read it.
_____________________________________________
How do we do justice to art when we treat it not as a discrete European or other regional tradition, but as a worldwide phenomenon with a long history? In this groundbreaking book, leading academics, curators, bibliographers, and representatives of international organizations from every continent explain the ways they deal with the conflict between the need to compress and the desire to express. Anyone who faces this challenge, whether in developing a course at university or school, writing a textbook, installing a museum collection, mounting an exhibition, or otherwise presenting the world’s cultural heritage will want to read it.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Informazioni sull?autore
John Onians is professor and director of the World Art Research Programme in the School of World Art Studies at the University of East Anglia and former director of Research and Academic Programs at the Clark Art Institute.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Compression vs. Expression : Containing and Explaining the World's Art
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Compression vs. Expression: Containing and Explaining the Worldâs Art (Clark Studies in the Visual Arts)
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Compression vs. Expression: Containing and Explaining the World's Art
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Condizione: New. How do we do justice to art when we treat it as a worldwide phenomenon with a long history? In this study, academics, curators, bibliographers and representatives of international organizations explain the ways they deal with the conflict between the need to compress and the desire to express. Editor(s): Onians, John. Series: Clark Studies in the Visual Arts. Num Pages: 268 pages, 40 b/w illus. BIC Classification: ABA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 181 x 246 x 22. Weight in Grams: 722. . 2006. Illustrated. paperback. . . . . Books ship from the US and Ireland. Codice articolo 9780300097900
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Condizione: New. How do we do justice to art when we treat it as a worldwide phenomenon with a long history? In this study, academics, curators, bibliographers and representatives of international organizations explain the ways they deal with the conflict between the need to compress and the desire to express. Editor(s): Onians, John. Series: Clark Studies in the Visual Arts. Num Pages: 268 pages, 40 b/w illus. BIC Classification: ABA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 181 x 246 x 22. Weight in Grams: 722. . 2006. Illustrated. paperback. . . . . Codice articolo 9780300097900
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Compression vs. Expression: Containing and Explaining the World's Art
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