<div><b>A sweeping history of premodern architecture told through the material of stone</b><br><br> Spanning almost five millennia, <i>Painting in Stone</i> tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.</div>
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<div><b>Fabio Barry</b> is assistant professor in the Department of Art and Art History at Stanford University.</div>
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Destinazione, tempi e costiDa: EDITORIALE UMBRA SAS, Foligno, PG, Italia
Condizione: Nuovo. Ril. in tela con sovr., cm 28,5x22,5, pp 438, ill. a col. e b/n. - ISBN: 9780300248166. Codice articolo 91815
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