An exploration of how the biblical heroine Queen Esther, a symbol of resilience and a figure of immense popularity, was portrayed in seventeenth-century Dutch art
In the age of Rembrandt van Rijn, the biblical Book of Esther was a popular source of inspiration for diverse communities in the Netherlands, both Jewish and Christian. Traditionally, the Esther story is read annually on the Jewish holiday of Purim. For immigrant Jewish communities living with new freedom in more tolerant Amsterdam, celebrating Purim—notably through finely produced Esther scrolls and theater productions—became a meaningful expression of Jewish culture. For the Dutch, Queen Esther’s heroism came to represent their emerging nation’s identity. Rembrandt and his contemporaries depicted essential scenes of Esther’s story in paintings, prints, drawings, and decorative arts.
Examining how Esther was represented in art and popular culture in Rembrandt’s time, this beautifully illustrated volume includes essays that discuss the visual culture and ceremonial art of Purim and examine the queen’s status as a heroine in seventeenth-century Netherlands. A postscript reveals Esther’s continued appeal through a close look at work by contemporary American artist Fred Wilson, who reimagines the biblical heroine as the abolitionist Harriet Tubman.
Published in association with the Jewish Museum, New York, and the North Carolina Museum of Art, Raleigh
Exhibition Schedule:
Jewish Museum, New York
(March 7–August 10, 2025)
North Carolina Museum of Art, Raleigh
(September 20, 2025–March 8, 2026)
Isabella Stewart Gardner Museum, Boston
(July 28, 2026–January 10, 2027)
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Abigail Rapoport is curator of Judaica at the Jewish Museum, New York. Michele L. Frederick is associate curator of European art and provenance research at the North Carolina Museum of Art, Raleigh.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Hardback or Cased Book. Condizione: New. The Book of Esther in the Age of Rembrandt. Book. Codice articolo BBS-9780300279146
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Hardcover. Condizione: New. In shrinkwrap. Quarto. Hardcover. Bound in pink and green cloth with color plate mounted to the center front board. No jacket, as issued. 157 pages : color illustrations ; 29 cm. "An exploration of how the biblical heroine Queen Esther, a symbol of resilience and a figure of immense popularity, was portrayed in seventeenth-century Dutch art. In the age of Rembrandt van Rijn, the biblical Book of Esther was a popular source of inspiration for diverse communities in the Netherlands, both Jewish and Christian. Traditionally, the Esther story is read annually on the Jewish holiday of Purim. For immigrant Jewish communities living with new freedom in more tolerant Amsterdam, celebrating Purim--notably through finely produced Esther scrolls and theater productions-became a meaningful expression of Jewish culture. For the Dutch, Queen Esther's heroism came to represent their emerging nation's identity. Rembrandt and his contemporaries depicted essential scenes of Esther's story in paintings, prints, drawings, and decorative arts. Examining how Esther was represented in art and popular culture in Rembrandt's time, this beautifully illustrated volume includes essays that discuss the visual culture and ceremonial art of Purim and examine the queen's status as a heroine in seventeenth-century Netherlands. A postscript reveals Esther's continued appeal through a close look at work by contemporary American artist Fred Wilson, who reimagines the biblical heroine as the abolitionist Harriet Tubman. Published in association with the Jewish Museum, New York, and the North Carolina Museum of Art, Raleigh"-- Provided by publisher. Codice articolo 213804
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Hardcover. Condizione: new. Hardcover. An exploration of how the biblical heroine Queen Esther, a symbol of resilience and a figure of immense popularity, was portrayed in seventeenth-century Dutch art In the age of Rembrandt van Rijn, the biblical Book of Esther was a popular source of inspiration for diverse communities in the Netherlands, both Jewish and Christian. Traditionally, the Esther story is read annually on the Jewish holiday of Purim. For immigrant Jewish communities living with new freedom in more tolerant Amsterdam, celebrating Purimnotably through finely produced Esther scrolls and theater productionsbecame a meaningful expression of Jewish culture. For the Dutch, Queen Esther's heroism came to represent their emerging nation's identity. Rembrandt and his contemporaries depicted essential scenes of Esther's story in paintings, prints, drawings, and decorative arts. Examining how Esther was represented in art and popular culture in Rembrandt's time, this beautifully illustrated volume includes essays that discuss the visual culture and ceremonial art of Purim and examine the queen's status as a heroine in seventeenth-century Netherlands. A postscript reveals Esther's continued appeal through a close look at work by contemporary American artist Fred Wilson, who reimagines the biblical heroine as the abolitionist Harriet Tubman. Published in association with the Jewish Museum, New York, and the North Carolina Museum of Art, Raleigh Exhibition Schedule: Jewish Museum, New York (March 7August 10, 2025) North Carolina Museum of Art, Raleigh (September 20, 2025March 8, 2026) Isabella Stewart Gardner Museum, Boston (July 28, 2026January 10, 2027) An exploration of how the biblical heroine Queen Esther, a symbol of resilience and a figure of immense popularity, was portrayed in seventeenth-century Dutch art Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780300279146
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. Quarto. Hardcover. Bound in pink and green cloth with color plate mounted to the center front board. No jacket, as issued. 157 pages : color illustrations ; 29 cm. "An exploration of how the biblical heroine Queen Esther, a symbol of resilience and a figure of immense popularity, was portrayed in seventeenth-century Dutch art. In the age of Rembrandt van Rijn, the biblical Book of Esther was a popular source of inspiration for diverse communities in the Netherlands, both Jewish and Christian. Traditionally, the Esther story is read annually on the Jewish holiday of Purim. For immigrant Jewish communities living with new freedom in more tolerant Amsterdam, celebrating Purim--notably through finely produced Esther scrolls and theater productions-became a meaningful expression of Jewish culture. For the Dutch, Queen Esther's heroism came to represent their emerging nation's identity. Rembrandt and his contemporaries depicted essential scenes of Esther's story in paintings, prints, drawings, and decorative arts. Examining how Esther was represented in art and popular culture in Rembrandt's time, this beautifully illustrated volume includes essays that discuss the visual culture and ceremonial art of Purim and examine the queen's status as a heroine in seventeenth-century Netherlands. A postscript reveals Esther's continued appeal through a close look at work by contemporary American artist Fred Wilson, who reimagines the biblical heroine as the abolitionist Harriet Tubman. Published in association with the Jewish Museum, New York, and the North Carolina Museum of Art, Raleigh"-- Provided by publisher. VG+. A few light touches of exterior wear, otherwise clean and unmarked. Codice articolo 212091
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