The appeal of the banjo has been shown to be timeless and universal---adaptable to almost any form of popular music. It was one of just a few instruments that could be faithfully reproduced in the early days of sound recording, and its recording history dates back to 1889. Heier documents that history on cylinders and 78-rpm disks in the pre-LP era ending in the mid-1950s. The book offers a comprehensive compilation of all such recordings on which the banjo plays a solo role or dominant part. Organized by performer or performing group, the recordings are listed chronologically with location, date, matrix number, and take-digit as available, as well as manufacturer and catalog number. Biographical information on the banjoist is provided wherever possible, and all performers anywhere in the world known to have recorded any type of music on banjo are included even if no data on the actual disks is available.
Introduced in a foreword by British discographer Brian Rust, the discography also includes a narrative account of the banjo in phonograph recording history by Lowell Schreyer and an essay on the history of the banjo itself by Robert Lloyd Webb. In addition to the discography proper, the editors have provided a preface, A Quick Look at the Banjo Family, identifying the instruments; an extensive bibliography of sources; an index of all tune titles; and reproductions of 92 recording labels. These elements all combine to make this volume a true discopedia of the banjo.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
ULI HEIER is working for the German SPD parliamentary group. He is coeditor and copublisher of the German non-commercial newsletter Banjo Podium.
RAINER E. LOTZ is an engineer, economist, development banker, publisher, and university lecturer, employed as Head of the German Ministry for Economic Cooperation. He has edited albums of gramophone recordings and authored books on ragtime, jazz, radio broadcasting, black history, and individual musicians as well as articles in scholarly journals. He was a special adviser to the New Grove Dictionary of Jazz, to which he contributed numerous articles.
ULI HEIER is working for the German SPD parliamentary group. He is coeditor and copublisher of the German non-commercial newsletter Banjo Podium.
RAINER E. LOTZ is an engineer, economist, development banker, publisher, and university lecturer, employed as Head of the German Ministry for Economic Cooperation. He has edited albums of gramophone recordings and authored books on ragtime, jazz, radio broadcasting, black history, and individual musicians as well as articles in scholarly journals. He was a special adviser to the New Grove Dictionary of Jazz, to which he contributed numerous articles.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: Yushodo Co., Ltd., Fuefuki-shi, Yamanashi Pref., Giappone
Hardcover. Condizione: Fine. 664p. Westport, CT: Greenwood Press, 1993. Codice articolo CL01695
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Da: Ria Christie Collections, Uxbridge, Regno Unito
Condizione: New. In English. Codice articolo ria9780313284922_new
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Da: Rob the Book Man, Vancouver, WA, U.S.A.
Hardcover. Condizione: Very Good. Hardback in very good condition. Bit of a mark on front end page where a price tag was removed. Codice articolo 25336
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Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. 662 Index. Codice articolo 263887195
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Da: Majestic Books, Hounslow, Regno Unito
Condizione: New. pp. 662 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam. Codice articolo 5042052
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condizione: new. Hardcover. The appeal of the banjo has been shown to be timeless and universal---adaptable to almost any form of popular music. It was one of just a few instruments that could be faithfully reproduced in the early days of sound recording, and its recording history dates back to 1889. Heier documents that history on cylinders and 78-rpm disks in the pre-LP era ending in the mid-1950s. The book offers a comprehensive compilation of all such recordings on which the banjo plays a solo role or dominant part. Organized by performer or performing group, the recordings are listed chronologically with location, date, matrix number, and take-digit as available, as well as manufacturer and catalog number. Biographical information on the banjoist is provided wherever possible, and all performers anywhere in the world known to have recorded any type of music on banjo are included even if no data on the actual disks is available.Introduced in a foreword by British discographer Brian Rust, the discography also includes a narrative account of the banjo in phonograph recording history by Lowell Schreyer and an essay on the history of the banjo itself by Robert Lloyd Webb. In addition to the discography proper, the editors have provided a preface, A Quick Look at the Banjo Family, identifying the instruments; an extensive bibliography of sources; an index of all tune titles; and reproductions of 92 recording labels. These elements all combine to make this volume a true discopedia of the banjo. Documents the recording history of the banjo on cylinders and 78-rpm disks from 1889 to the beginning of the LP era in the mid-1950s, offering a comprehensive compilation of all such recordings on which the banjo plays a solo role or dominant part. The discography is organized by performer. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780313284922
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