This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum. Shakespeare on screen is evaluated both in relation to the play texts and in relation to the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race and nationalism. Cartmell discusses a wide range of films, including Orson Welles' Othello (1952), Kenneth Branagh's Much Ado About Nothing (1993), Peter Greenaway's Prospero's Books (1991), Baz Luhrmann's William Shakespeare's Romeo and Juliet (1996) and John Madden's Shakespeare in Love (1998).
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
DEBORAH CARTMELL is Principal Lecturer in English at De Montfort University, Leicester. She is co-editor of the Film/Fiction annual (1996-).
DEBORAH CARTMELL is Principal Lecturer in English at De Montfort University, Leicester. She is co-editor of the Film/Fiction annual (1996-).
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Combines films and plays in relation to issues rather than directors or genres for the purpose of evaluating how Shakespeare is manufactured for popular consumption Combines an evaluation of the adaptation both in relation to the play texts and to the. Codice articolo 458423544
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Hardcover. Condizione: new. Hardcover. This is an exploration of Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum. Shakespeare on screen is evaluated both in relation to the play texts and in relation to the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race and nationalism. Cartmell discusses a wide range of films, including Orson Welles' "Othello" (1952), Kenneth Branagh's "Much Ado About Nothing" (1993), Peter Greenaway's "Prospero's Books" (1991), Baz Luhrmann's "William Shakespeare's Romeo and Juliet" (1996) and John Madden's "Shakespeare in Love" (1998). This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9780333652114
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Buch. Condizione: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen within the classroom and within the English curriculum. Shakespeare on screen is evaluated both in relation to the play texts and in relation to the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race and nationalism. Cartmell discusses a wide range of films, including Orson Welles' Othello (1952), Kenneth Branagh's Much Ado About Nothing (1993), Peter Greenaway's Prospero's Books (1991), Baz Luhrmann's William Shakespeare's Romeo and Juliet (1996) and John Madden's Shakespeare in Love (1998). Codice articolo 9780333652114
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