Brossura

ISBN 10: 0399218858 ISBN 13: 9780399218859

Casa editrice: National Geographic School Pub, 2003

A VERY classic from Eric Carle, creator of The Very Hungry Caterpillar!

One day a tiny cricket is born and meets a big cricket who chirps his welcome. The tiny cricket tries to respond, but there is no sound. The quiet cricket then makes his way into the world, meeting one insect after another, each of whom greets the little cricket with a cheery hello--the hum of a bee, the whirr of a dragonfly, the whisper of a praying mantis. The cricket rubs his wings together each time, but nothing happens, not a sound. Until the day he meets another cricket, a female, and something different happens . . .

As children turn the page on this wonderful moment, they are greeted with a surprise--an actual chirp!

Full of Eric Carle's gorgeous and lush collage art, a gentle rhythmic text for read-alouds, and a wonder-inducing surprise at the end, The Very Quiet Cricket remains an all-time favorite from one of the true masters of picture-book making.

Batteries are replaceable. Please use two 1.5 volt L1131 button cell batteries.

Praise for The Very Quiet Cricket:

"Typical of Carle's style, the language is simple, with rhythm, repetition, and alliteration to delight young listeners. Painted collage illustrations are lavish and expressive."--School Library Journal
 
"The text is skillfully shaped; the illustrations convey energy and immediacy."--Horn Book

"As usual, Carle's art is lovely and his story is simple and satisfying."--Publishers Weekly

"Carle's signature style ensures that this is a visual standout, and storywise it's appealing, too....The spare text is structured by repetitive phrasing that will lend itself to read-aloud responses."--Booklist 

Review:

A cricket is born who cannot talk! A bigger cricket welcomes him to the world, then a locust, a cicada, and many other insects, but each time the tiny cricket rubs his wings together in vain: no sound emerges. In the end, however, he meets another quiet cricket, and manages to find his "voice." Children will love the repetitive text as they meet a steady parade of new creatures (including a "spittlebug, slurping in a sea of froth"); and of course they'll delight in the happy ending. This is one of a series of large (11.5 by 8.5 inches) format Eric Carle books with a mechanical twist: in this case, the quiet cricket bursts into (surprisingly authentic) electronic song as you turn the last page. (The battery is replaceable.) An amusement for the ears, but most of all--as ever, with Carle--a feast for the eyes. The colorful cut-paper illustrations are simply gorgeous, drawing you in even on the hundredth reading. (And there will be a hundredth reading, followed by many more.) (Baby to preschool) --Richard Farr

About the Author:

Eric Carle is acclaimed and beloved as the creator of brilliantly illustrated and innovatively designed picture books for very young children. His best-known work, The Very Hungry Caterpillar, has eaten its way into the hearts of literally millions of children all over the world and has been translated into more than 25 languages and sold over twelve million copies. Since the Caterpillar was published in 1969, Eric Carle has illustrated more than sixty books, many best sellers, most of which he also wrote.

Born in Syracuse, New York, in 1929, Eric Carle moved with his parents to Germany when he was six years old; he was educated there, and graduated from the prestigious art school, the Akademie der bildenden Kunste, in Stuttgart. But his dream was always to return to America, the land of his happiest childhood memories. So, in 1952, with a fine portfolio in hand and forty dollars in his pocket, he arrived in New York. Soon he found a job as a graphic designer in the promotion department of The New York Times. Later, he was the art director of an advertising agency for many years.

One day, respected educator and author, Bill Martin Jr, called to ask Carle to illustrate a story he had written. Martin's eye had been caught by a striking picture of a red lobster that Carle had created for an advertisement. Brown Bear, Brown Bear, What Do You See? was the result of their collaboration. It is still a favorite with children everywhere. This was the beginning of Eric Carle's true career. Soon Carle was writing his own stories, too. His first wholly original book was 1,2,3 to the Zoo, followed soon afterward by the celebrated classic, The Very Hungry Caterpillar.

Eric Carle's art is distinctive and instantly recognizable. His art work is created in collage technique, using hand-painted papers, which he cuts and layers to form bright and cheerful images. Many of his books have an added dimension - die-cut pages, twinkling lights as in The Very Lonely Firefly, even the lifelike sound of a cricket's song as in The Very Quiet Cricket - giving them a playful quality: a toy that can be read, a book that can be touched. Children also enjoy working in collage and many send him pictures they have made themselves, inspired by his illustrations. He receives hundreds of letters each week from his young admirers. The secret of Eric Carle's books' appeal lies in his intuitive understanding of and respect for children, who sense in him instinctively someone who shares their most cherished thoughts and emotions.

The themes of his stories are usually drawn from his extensive knowledge and love of nature - an interest shared by most small children. Besides being beautiful and entertaining, his books always offer the child the opportunity to learn something about the world around them. It is his concern for children, for their feelings and their inquisitiveness, for their creativity and their intellectual growth that, in addition to his beautiful artwork, makes the reading of his books such a stimulating and lasting experience.

Carle says: "With many of my books I attempt to bridge the gap between the home and school. To me home represents, or should represent; warmth, security, toys, holding hands, being held. School is a strange and new place for a child. Will it be a happy place? There are new people, a teacher, classmates - will they be friendly? I believe the passage from home to school is the second biggest trauma of childhood; the first is, of course, being born. Indeed, in both cases we leave a place of warmth and protection for one that is unknown. The unknown often brings fear with it. In my books I try to counteract this fear, to replace it with a positive message. I believe that children are naturally creative and eager to learn. I want to show them that learning is really both fascinating and fun."

 

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