This third edition provides information on the recording process, expanding on material from the second edition while including new ideas. The book brings together knowledge on the most current concepts, methods, systems and solutions to everyday recording problems, covering all aspects of the business from the basic training in the studio to choosing the right microphone. Special features of the book include a revision of chapters on digital recording and signal processing, in addition to coverage of analog tape recording and code-decode noise-reduction systems. Recording systems are examined in detail including discussions of digital consoles and digital metering as well as the monitoring environment. Also presented is information on the "how and why" of what is done in the studio including classical and pop/rock recording production techniques.
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John Eargle has consulted extensively in electroacoustical product development, primarily with JBL Incorporated and other companies in the Harman International group. He also founded his own company, now called JME Consulting Corporation. He has published numerous technical articles, and his books, Handbook of Recording Engineering, The Microphone Handbook, Handbook of Sound System Design, Electroacoustical Reference Data, Music, Sound, and Technology, and The Loudspeaker Handbook, are considered classics in the field. He currently holds the position of Senior Director of Product Development and Application for JBL Professional.
John Eargle's 4th edition of The Handbook of Recording Engineering is the latest version of his long-time classic hands-on book for aspiring recording engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today's training in recording and its allied arts and sciences.
Digital recording and signal processing are covered in detail, as are actual studio miking and production techniques -- including the developing field of surround sound. As always, the traditional topics of basic stereo, studio acoustics, analog tape recording, and the stereo LP are covered in greater detail than you are likely to find anywhere except in archival references.
This book has been completely updated with numerous new topics added and outdated material removed. Many technical descriptions are now presented in Sidebars, leaving the primary text for more general descriptions.
Handbook of Recording Engineering, Fourth Edition is for students preparing for careers in audio, recording, broadcast, and motion picture sound work. It will also be useful as a handbook for professionals already in the audio workplace.
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