The Performance Studies Reader is a lively and much-needed anthology of critical writings on the burgeoning discipline of performance studies. It provides an overview of the full range of performance theory for undergraduates at all levels, and beginning graduate students in performance studies, theatre, performing arts and cultural studies. The collection is designed as a companion to Richard Schechner's popular Performance Studies: an Introduction (Routledge, 2002), but is also ideal as a stand-alone text.
Henry Bial collects together key critical pieces from the field, referred to as 'suggested readings' in Performance Studies: an Introduction. He also broadens the discussion with additional selections. The structure and themes of the Reader closely follow those of Schechner's companion textbook. The articles in each section focus particularly on three primary areas in performance studies, theatre, anthropology and sociology/cultural studies.
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1. What is Performance Studies? Ronald J. Pelias & James VanOosting; Richard Schechner; Jill Dolan; WB Worthen; Dwight Conquergood; Barbara Kirschenblatt 2. What is Performance? Clifford Geertz; Marvin Carlson; Erving Goffman; Allan Kaprow; Richard Schechner 3. Ritual Catherine Bell; Victor Turner; Eugene D. d'Aquili, Charles D Laughlin Jr & John McManus; Jane Van Lawick-Goodall; Margaret Thompson Drewal 4. Play Johan Huizinga; Gregory Bateson; Mihaly Csikszentmihalyi; Brian Sutton-Smith; Don Handelman 5. Performativity Jl Austin; John Searle; Jacques Derrida; Judith Butler; Andrew Parker & Eve Kosofsky Sedgwick 6. Performers Michael Kirby; AF Ansimov; Jane Belo; Bertolt Brecht; Jerzy Grotowski 7. Performance Processes Marco De Marinis; Isadore Okepewho; Vsevolod Meyerhold; Kenneth E Read 8. Global and Intercultural Performance Victor Turner, with Edie Turner; Homi K Bhabha; Eugenio Barba; Patrice Pavis; Guillermo Gomez-Pena
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