Gaston Leroux's novel The Phantom of the Opera, first published in 1910, remained a perennial favorite throughout the twentieth century and into the early 2000s. It was adapted to several popular motion pictures and into one of the most successful stage musicals of all time. Its main character, Erik, is a romantic figure whose appeal reaches across different cultures and times. He is a sensitive soul, an accomplished composer and musician whose great unfinished work, Don Juan Triumphant, is described as breathtakingly beautiful by the one person he allows to hear it; he is an object of pity, whose face has been disfigured from birth, causing him to hide behind a silk mask; and he is hopelessly in love with a young woman whom he can never seriously hope will love him back. At the same time, he a dangerous, menacing figure, lurking in the hidden catacombs beneath the opera house and blackmailing those who will not bow to his whims. He can hear things said in privacy and can create catastrophes that might or might not be the accidents that they seem to be.
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“Ingenious . . . breathless suspense.”—The Nation
Gaston Leroux (1868-1927) was a French journalist, playwright, and detective/thriller writer. After beginning his career as a crime reporter and war correspondent, he lived an adventurous life that took him to Scandinavia, Eastern Europe, and even into North Africa disguised as an Arab. His high-spirited, often dangerous, escapades and questioning nature provided much of the background and plot material for his sensational mystery and adventure stories, particularly those starring his reporter/sleuth Joseph Rouletabille. One of his most famous detective novels, The Mystery of the Yellow Room, was published in 1907. His works have been called “among the finest examples of the detective stories we possess.” But Leroux’s best-known story is The Phantom of the Opera (1911), whose macabre hero has been played in films by classic horror film stars Lon Chaney and Claude Rains.
Dr. John L. Flynn is a Chicago-born author, university professor, psychologist, and science-fiction enthusiast. Among his published words are Cinematic Vampires, Dissecting Aliens, Visions in Light and Shadow, and Phantoms of the Opera. A lifelong fan of Gaston Leroux, Dr. Flynn was inspired to write his definitive study of the Opera Ghost after seeing Michael Crawford on Broadway in Andrew Lloyd Webber’s Tony Award-winning musical. In 1997, he switched gears from writing and literature to study clinical psychology. Today, he lives in Baltimore and is a department chair at Baltimore City Community College.
J. R. Ward is the #1 New York Times bestselling author of numerous novels, including the Black Dagger Brotherhood series. With millions of copies of her books in print, she is at the forefront of the urban fantasy/paranormal romance genre.
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