"Questions the limits of previous critical approaches to the avant-garde . . . [and] displays a deep sensitivity for the political aesthetics of the Western avant-garde, particularly as those political aesthetics pertain to the institution of cultural criticism itself."
---Theatre Journal
"A provocative exploration of relations between the historical avant-garde and Cold War vanguard art and theatre. Sell's compelling historical and cultural narrative shows how the connections between the two exist at a very deep level of radical politics and aesthetics---an amazing concoction of rigorous scholarship, interdisciplinary learning, and progressive theorizing."
---Michael Vanden Heuvel, University of Wisconsin, Madison
"An important study that will raise the bar not only on scholarship of the Black Arts Movement, but on U.S. avant-gardism generally."
---James Smethurst, University of Massachusetts
Avant-Garde Performance and the Limits of Criticism looks at the American avant-garde during the Cold War period, focusing on the interrelated questions of performance practices, cultural resistance, and the politics of criticism and scholarship in the U.S. counterculture. This groundbreaking book examines the role of the scholar and critic in the cultural struggles of radical artists and reveals how avant-garde performance identifies the very limits of critical consideration. It also explores the popularization of the avant-garde: how formerly subversive art is eventually discovered by the mass media, is gobbled up by the marketplace, and finds its way onto the syllabi of college and university courses. Avant-Garde Performance and the Limits of Criticism is a timely and significant book that will appeal to those interested in avant-garde literary criticism, theater history, and performance studies.
Mike Sell is Associate Professor of English at Indiana University of Pennsylvania and editor of Ed Bullins: Twelve Plays and Selected Writings.
Illustration: Poster design for the Living Theatre's production of Capital Changes (1998). © Luba Lukova.
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Da: BooksRun, Philadelphia, PA, U.S.A.
Paperback. Condizione: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Codice articolo 0472033077-11-1
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Da: INDOO, Avenel, NJ, U.S.A.
Condizione: New. Brand New. Codice articolo 9780472033072
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. Series: Theater: Theory/Text/Performance (Paperback). Num Pages: black & white illustrations. BIC Classification: AN. Category: (G) General (US: Trade). Dimension: 226 x 152 x 25. Weight in Grams: 499. . 2008. Illustrated. paperback. . . . . Codice articolo V9780472033072
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Da: Revaluation Books, Exeter, Regno Unito
Paperback. Condizione: Brand New. 327 pages. 9.00x6.00x1.00 inches. In Stock. Codice articolo 0472033077
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Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. Series: Theater: Theory/Text/Performance (Paperback). Num Pages: black & white illustrations. BIC Classification: AN. Category: (G) General (US: Trade). Dimension: 226 x 152 x 25. Weight in Grams: 499. . 2008. Illustrated. paperback. . . . . Books ship from the US and Ireland. Codice articolo V9780472033072
Quantità: 15 disponibili
Da: bibliomancy, BRIGHTON, Regno Unito
Soft cover. Condizione: Good. Uni. of Michigan Press pb 2011 - slight wear, esp. to corners, otherwise tight binding and clean text. Codice articolo ABE-1779436747721
Quantità: 1 disponibili