It is propitious to find art historians who are happy to define and defend their work, but this collection of eighteen essays does just that. With each contributor selecting a particular object or image, they elaborate on how art historians approach works of art, and discuss the methodology of visual analysis and informed interpretation. Jargon-free and approachable, the contributors select and describe a variety of subjects including a mosaic, Crucifixion image, a textile, portraits, an architectural drawing, choir reliefs, a sarcophagus, architectural and free-standing sculpture, both from the West, the Byzantine East and the Islamic world.
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This unusual anthology focuses attention on art-historical practice. Each of the eighteen distinguished contributors--medievalists specializing in western European, Byzantine, and Islamic art--offers an interpretation of a single object, and in the process demonstrates how art historians go about describing, analyzing, and contextualizing works of art. The essays treat a broad range of artifacts in many media and together present a conspectus of current approaches to visual analysis, speaking to such crucial topics as medieval sign theory, visual rhetoric, replication, mimesis, and cultural interconnections within the medieval world. The volume will serve a wide audience, from specialists in the field to scholars in cognate disciplines to students interested in the craft of art history. Elizabeth L. Sears is Associate Professor of the History of Art, University of Michigan. Thelma K. Thomas is Associate Professor of the History of Art and Associate Curator of the Kelsey Museum, University of Michigan.
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Da: HPB-Red, Dallas, TX, U.S.A.
Paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! Codice articolo S_479981642
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Condizione: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc. Codice articolo 00103601325
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Da: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condizione: Good. It is propitious to find art historians who are happy to define and defend their work, but this collection of eighteen essays does just that. With each contributor selecting a particular object or image, they elaborate on how art historians approach works of art, and discuss the methodology of visual analysis and informed interpretation. Jargon-free and approachable, the contributors select and describe a variety of subjects including a mosaic, Crucifixion image, a textile, portraits, an architectural drawing, choir reliefs, a sarcophagus, architectural and free-standing sculpture, both from the West, the Byzantine East and the Islamic world. Codice articolo CIN0472067516G
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Da: INDOO, Avenel, NJ, U.S.A.
Condizione: New. Brand New. Codice articolo 9780472067510
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Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: New. Contemporary approaches to analyzing art as applied to medieval works Editor(s): Sears, Elizabeth; Thomas, Thelma K. Num Pages: 256 pages, 7 col pls, b/w pls. BIC Classification: 3H; ACK. Category: (P) Professional & Vocational. Dimension: 256 x 174 x 13. Weight in Grams: 566. . 2002. Illustrated. paperback. . . . . Codice articolo V9780472067510
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Da: Mooney's bookstore, Den Helder, Paesi Bassi
Condizione: As New. Codice articolo F7146B12FD5BCC5
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Da: Kennys Bookstore, Olney, MD, U.S.A.
Condizione: New. Contemporary approaches to analyzing art as applied to medieval works Editor(s): Sears, Elizabeth; Thomas, Thelma K. Num Pages: 256 pages, 7 col pls, b/w pls. BIC Classification: 3H; ACK. Category: (P) Professional & Vocational. Dimension: 256 x 174 x 13. Weight in Grams: 566. . 2002. Illustrated. paperback. . . . . Books ship from the US and Ireland. Codice articolo V9780472067510
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