The public reaction that greeted Joseph Beuys's death in 1986 resembled that more usually accorded to a deceased world statesman than an artist. Yet even now the art and life of this controversial and extremely influential German artist remain impenetrably intertwined - even more so perhaps because Beuys, like Marcel Duchamp and Andy Warhol, precisely orchestrated his public image, building a personal myth that has the power to bind together his entire oeuvre.
Thinking Is Form breaks through the mass of obscure writing about Joseph Beuys to introduce this legendary artist in a simple and clear manner, through his utterly individual drawings. The subject of a major touring exhibition at The Museum of Modern Art, New York, The Museum of Contemporary Art, Los Angeles, the Philadelphia Museum of Art, and The Art Institute of Chicago, Beuys's drawings are used here as the springboard for discussions of his life, art, and ideas. Some employ such unconventional mediums as hare's blood or margarine, or use the backs of envelopes or commercial stationery. Some incorporate photographs, pressed flowers, and other organic materials, emphasizing their function as a reservoir of ideas for Beuys's sculpture, actions (performance art), and other enterprises.
His achievement is viewed in the broader context of European art, and his graphic works are considered chronologically as his formative medium, in relation to his work as a whole, and as autobiographical narrative. This is the first time that the disciplines of curator and connoisseur have been rigorously applied to the selection and presentation of a truly representative segment of Beuys's work.
Beuys, following the strategy articulated by Duchamp, made his own life his masterwork, and his drawings formed the drafts for that work. Now that the work is complete, it is through the drawings that we can begin to grasp as a whole the accomplishment of a man who declared "Everyone is an artist."
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
Book by Temkin Ann Rose Bernice
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
EUR 24,24 per la spedizione da Australia a Italia
Destinazione, tempi e costiEUR 25,97 per la spedizione da U.S.A. a Italia
Destinazione, tempi e costiDa: Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australia
4to, 279pp. Colour and black & white illustrations. A very good hardback copy in like dust jacket. Codice articolo 129133
Quantità: 1 disponibili
Da: Montecito Rare Books, Goleta, CA, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Fine; minor bumps to lower edge of covers; slight staining to page edges, but only as seen with the book closed; else As New. In a Very Good+ dust jacket; spine sunned; slight stain/soil; slight edgewear; else As New. Presumed First Edition. May require increased shipping price for priority and international orders. Book. Codice articolo 001455
Quantità: 1 disponibili
Da: Quinto Bookshop, London, Regno Unito
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. First edition. Large 4to [31x26cm]. Original cloth boards with publisher's device to upper board and gilt lettering to spine. About fine. In dust jacket, which is faded to spine and head of lower panel, but otherwise fine. *** An excellent copy of this high-quality publication published in conjunction with a touring exhibition of the same name, organised by The Museum of Modern Art in New York and the Philadelphia Museum of Art. With 291 illustrations, 135 in colour. A major work on the great German artist Joseph Beuys (1921-1986). *** Heavy book: additional postage might be necessary. Codice articolo 001655
Quantità: 1 disponibili
Da: Toscana Books, AUSTIN, TX, U.S.A.
Hardcover. Condizione: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Codice articolo Scanned0500015473
Quantità: 1 disponibili