To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision.
Beginning with the proposition that the images of cinema and vision derive from the same basic elements—light, movement, and time—Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores.
Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art.
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William C. Wees is Associate Professor of English at McGill University in Montreal. He has written articles for many film journals and has made several short experimental films.
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Descrizione libro California - Univ. Press of, 1992. Hardcover. Condizione libro: Very Good+, Dust Jacket rubbed. Codice libro della libreria 0520073673-FILM
Descrizione libro University of California Press, Berkeley, 1992. Hardcover. Condizione libro: Fine. Condizione sovraccoperta: fine. First printing. First edition, 1992. Cloth hardcover in dust jacket, 199 pp., illustrated, clean unmarked text, Fine copy in Fine dust jacket. Dust jacket housed in archival dust jacket protector. Uncommon in hardcover. Codice libro della libreria s00010052