Articoli correlati a Light Moving in Time: Studies in the Visual Aesthetics...
Sinossi
To view a film is to see another's seeing mediated by the technology and techniques of the camera. By manipulating the cinematic apparatus in unorthodox ways, avant-garde filmmakers challenge the standardized versions of seeing perpetuated by the dominant film industry and generate ways of seeing that are truer to actual human vision.
Beginning with the proposition that the images of cinema and vision derive from the same basic elements—light, movement, and time—Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores.
Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art.
Beginning with the proposition that the images of cinema and vision derive from the same basic elements—light, movement, and time—Wees argues that cinematic apparatus and human visual apparatus have significant properties in common. For that reason they can be brought into a dynamic, creative relationship which the author calls the dialectic of eye and camera. The consequences of this relationship are what Wees explores.
Although previous studies have recognized the visual bias of avant-garde film, this is the first to place the visual aesthetics of avant-garde film in a long-standing, multidisciplinary discourse on vision, visuality, and art.
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Informazioni sull'autore
William C. Wees is Associate Professor of English at McGill University in Montreal. He has written articles for many film journals and has made several short experimental films.
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LIGHT MOVING IN TIME: STUDIES IN THE VISUAL AESTHETICS OF AVANT-GARDE FILM WEES, WILLIAM C.
Editore:
University of California Press, 1992
ISBN 10: 0520073681
ISBN 13: 9780520073685
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Condizione: Muy Bueno. LIGHT MOVING IN TIME: STUDIES IN THE VISUAL AESTHETICS OF AVANT-GARDE FILM, obra de William C. Wees, es un análisis profundo sobre la estética visual del cine de vanguardia. El libro explora cómo la luz y el movimiento se convierten en elementos fundamentales para comprender las propuestas artísticas de este género cinematográfico, ofreciendo una mirada crítica y detallada.Esta obra, identificada con el ISBN 9780520073685, es una lectura esencial para estudiantes, académicos y profesionales del cine que buscan ampliar sus conocimientos sobre las teorías y prácticas del cine experimental. Su contenido riguroso y accesible la convierte en una herramienta valiosa para quienes desean profundizar en la historia y evolución de la estética visual en el séptimo arte. Codice articolo 459
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Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film
Editore:
University of California Press, 1992
ISBN 10: 0520073681
ISBN 13: 9780520073685
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Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail. Codice articolo OTV.0520073681.G
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Light Moving in Time : Studies in the Visual Aesthetics of Avant-Garde Film William C. Wees
Editore:
University of California Press, 1992
ISBN 10: 0520073681
ISBN 13: 9780520073685
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Da: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Germania
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Softcover. Condizione: gut. 1992. Light Moving in Time : Studies in the Visual Aesthetics of Avant-Garde Film In englischer Sprache. pages. Codice articolo BN138952
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