Western Music and Its Others: Difference, Representation, and Appropriation in Music

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9780520220843: Western Music and Its Others: Difference, Representation, and Appropriation in Music

This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind. The essays scrutinize a diverse body of music and discuss a range of significant examples, among them musical modernism's idealizing or ambivalent relations with popular, ethnic, and non-Western music; exoticism and orientalism in the experimental music tradition; the representation of others in Hollywood film music; music's role in the formation and contestation of collective identities, with reference to Jewish and Turkish popular music; and issues of representation and difference in jazz, world music, hip hop, and electronic dance music. Written by leading scholars from disciplines including historical musicology, sociology, ethnomusicology, anthropology, popular music studies, and film studies, the essays provide unprecedented insights into how cultural identities and differences are constructed in music.

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David Hesmondhalgh
Editore: University of California Press (2000)
ISBN 10: 0520220846 ISBN 13: 9780520220843
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Descrizione libro University of California Press, 2000. Condizione libro: New. This collection of articles offers an overview of developments in cultural theory as applied to western music. The text examines a range of primarily 20th-century music and provides insights into how cultural identities and differences are constructed in music. Editor(s): Born, Georgina; Hesmondhalgh, David. Num Pages: 409 pages, 4 b/w photographs, 16 music examples. BIC Classification: 3JJ; AVGC6; JHMC. Category: (P) Professional & Vocational. Dimension: 230 x 153 x 25. Weight in Grams: 604. Difference, Representation and Appropriation in Music. 409 pages, 4 b&w photographs, 16 music examples. Editor(s): Born, Georgina; Hesmondhalgh, David. This collection of articles offers an overview of developments in cultural theory as applied to western music. The text examines a range of primarily 20th-century music and provides insights into how cultural identities and differences are constructed in music. Cateogry: (P) Professional & Vocational. BIC Classification: 3JJ; AVGC6; JHMC. Dimension: 230 x 153 x 25. Weight: 604. . 2000. 0th Edition. Paperback. . . . . . Codice libro della libreria V9780520220843

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David Hesmondhalgh
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ISBN 10: 0520220846 ISBN 13: 9780520220843
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Descrizione libro University of California Press, United States, 2000. Paperback. Condizione libro: New. 224 x 152 mm. Language: English . Brand New Book. This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind. The essays scrutinize a diverse body of music and discuss a range of significant examples, among them musical modernism s idealizing or ambivalent relations with popular, ethnic, and non-Western music; exoticism and orientalism in the experimental music tradition; the representation of others in Hollywood film music; music s role in the formation and contestation of collective identities, with reference to Jewish and Turkish popular music; and issues of representation and difference in jazz, world music, hip hop, and electronic dance music. Written by leading scholars from disciplines including historical musicology, sociology, ethnomusicology, anthropology, popular music studies, and film studies, the essays provide unprecedented insights into how cultural identities and differences are constructed in music. Codice libro della libreria AAU9780520220843

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Descrizione libro University of California Press. Paperback. Condizione libro: new. BRAND NEW, Western Music and Its Others: Difference, Representation and Appropriation in Music, Georgina Born, David Hesmondhalgh, This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind. The essays scrutinize a diverse body of music and discuss a range of significant examples, among them musical modernism's idealizing or ambivalent relations with popular, ethnic, and non-Western music; exoticism and orientalism in the experimental music tradition; the representation of others in Hollywood film music; music's role in the formation and contestation of collective identities, with reference to Jewish and Turkish popular music; and issues of representation and difference in jazz, world music, hip hop, and electronic dance music. Written by leading scholars from disciplines including historical musicology, sociology, ethnomusicology, anthropology, popular music studies, and film studies, the essays provide unprecedented insights into how cultural identities and differences are constructed in music. Codice libro della libreria B9780520220843

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David Hesmondhalgh
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ISBN 10: 0520220846 ISBN 13: 9780520220843
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Descrizione libro University of California Press, United States, 2000. Paperback. Condizione libro: New. 224 x 152 mm. Language: English . Brand New Book. This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind. The essays scrutinize a diverse body of music and discuss a range of significant examples, among them musical modernism s idealizing or ambivalent relations with popular, ethnic, and non-Western music; exoticism and orientalism in the experimental music tradition; the representation of others in Hollywood film music; music s role in the formation and contestation of collective identities, with reference to Jewish and Turkish popular music; and issues of representation and difference in jazz, world music, hip hop, and electronic dance music. Written by leading scholars from disciplines including historical musicology, sociology, ethnomusicology, anthropology, popular music studies, and film studies, the essays provide unprecedented insights into how cultural identities and differences are constructed in music. Codice libro della libreria AAU9780520220843

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Descrizione libro University of California Press. Condizione libro: New. This collection of articles offers an overview of developments in cultural theory as applied to western music. The text examines a range of primarily 20th-century music and provides insights into how cultural identities and differences are constructed in music. Editor(s): Born, Georgina; Hesmondhalgh, David. Num Pages: 409 pages, 4 b/w photographs, 16 music examples. BIC Classification: 3JJ; AVGC6; JHMC. Category: (P) Professional & Vocational. Dimension: 230 x 153 x 25. Weight in Grams: 604. Difference, Representation and Appropriation in Music. 409 pages, 4 b&w photographs, 16 music examples. Editor(s): Born, Georgina; Hesmondhalgh, David. This collection of articles offers an overview of developments in cultural theory as applied to western music. The text examines a range of primarily 20th-century music and provides insights into how cultural identities and differences are constructed in music. Cateogry: (P) Professional & Vocational. BIC Classification: 3JJ; AVGC6; JHMC. Dimension: 230 x 153 x 25. Weight: 604. . 2000. 0th Edition. Paperback. . . . . Books ship from the US and Ireland. Codice libro della libreria V9780520220843

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Descrizione libro Paperback. Condizione libro: New. Not Signed; This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how mus. book. Codice libro della libreria ria9780520220843_rkm

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David Hesmondhalgh
Editore: University of California Press 2000-10-06, Berkerley (2000)
ISBN 10: 0520220846 ISBN 13: 9780520220843
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Descrizione libro University of California Press 2000-10-06, Berkerley, 2000. paperback. Condizione libro: New. Codice libro della libreria 9780520220843

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Descrizione libro University of California Press, 2000. Condizione libro: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: INTRODUCTION: On Difference, Representation, and Appropriation in Music I. Postcolonial Analysis and Music Studies (David Hesmondhalgh and Georgina Born) II. Musical Modernism, Postmodernism, and Others (Georgina Born) III. Othering, Hybridity, and Fusion in Transnational Popular Musics (David Hesmondhalgh and Georgina Born) IV. Music and the Representation/Articulation of Sociocultural Identities (Georgina Born) V. Techniques of the Musical Imaginary (Georgina Born) CHAPTERS 1. Musical Belongings: Western Music and Its Low-Other (Richard Middleton) 2. Race, Orientalism, and Distinction in the Wake of the "Yellow Peril" (Jann Pasler) 3. Bartk, the Gypsies, and Hybridity in Music (Julie Brown) 4. Modernism, Deception, and Musical Others: Los Angeles circa 1940 (Peter Franklin) 5. Experimental Oriental: New Music and Other Others (John Corbett) 6. Composing the Cantorate: Westernizing Europe's Other Within (Philip V. Bohlman) 7. East, West, and Arabesk (Martin Stokes) 8. Scoring the Indian: Music in the Liberal Western (Claudia Gorbman) 9. The Poetics and Politics of Pygmy Pop (Steven Feld) 10. International Times: Fusions, Exoticism, and Antiracism in Electronic Dance Music (David Hesmondhalgh) 11. The Discourse of World Music (Simon Frith). Codice libro della libreria ABE_book_new_0520220846

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Descrizione libro University of California Press, 2000. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WF-9780520220843

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Descrizione libro University of California Press, 2000. Paperback. Condizione libro: New. book. Codice libro della libreria 0520220846

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