Overhearing Film Dialogue

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9780520221383: Overhearing Film Dialogue

Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, 'When a motion picture is at its best, it is long on action and short on dialogue'. Little serious work has been done on the subject of film dialogue, yet what characters say and how they say it has been crucial to our experience and understanding of every film since the coming of sound. Through informative discussions of dozens of classic and contemporary films - from "Bringing Up Baby" to "Terms of Endearment", from "Stagecoach" to "Reservoir Dogs" - this lively book provides the first full-length study of the use of dialogue in American film. Sarah Kozloff shows why dialogue has been neglected in the analysis of narrative film and uncovers the essential contributions dialogue makes to a film's development and impact. She uses narrative theory and drama theory to analyze the functions that dialogue typically serves in a film. The second part of the book is a comprehensive discussion of the role and nature of dialogue in four film genres: westerns, screwball comedies, gangster films, and melodramas. Focusing on topics such as class and ethnic dialects, censorship, and the effect of dramatic irony, Kozloff provides an illuminating new perspective on film genres.

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Sarah Kozloff
Editore: University of California Press, United States (2000)
ISBN 10: 0520221389 ISBN 13: 9780520221383
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Descrizione libro University of California Press, United States, 2000. Paperback. Condizione libro: New. New.. 224 x 152 mm. Language: English . Brand New Book. Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford s assertion in 1964 that, When a motion picture is at its best, it is long on action and short on dialogue . Little serious work has been done on the subject of film dialogue, yet what characters say and how they say it has been crucial to our experience and understanding of every film since the coming of sound. Through informative discussions of dozens of classic and contemporary films - from Bringing Up Baby to Terms of Endearment , from Stagecoach to Reservoir Dogs - this lively book provides the first full-length study of the use of dialogue in American film. Sarah Kozloff shows why dialogue has been neglected in the analysis of narrative film and uncovers the essential contributions dialogue makes to a film s development and impact. She uses narrative theory and drama theory to analyze the functions that dialogue typically serves in a film. The second part of the book is a comprehensive discussion of the role and nature of dialogue in four film genres: westerns, screwball comedies, gangster films, and melodramas. Focusing on topics such as class and ethnic dialects, censorship, and the effect of dramatic irony, Kozloff provides an illuminating new perspective on film genres. Codice libro della libreria AAH9780520221383

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Descrizione libro University of California Press, 2000. PAP. Condizione libro: New. New Book. Shipped from UK in 4 to 14 days. Established seller since 2000. Codice libro della libreria WF-9780520221383

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Sarah Kozloff
Editore: University of California Press, United States (2000)
ISBN 10: 0520221389 ISBN 13: 9780520221383
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Descrizione libro University of California Press, United States, 2000. Paperback. Condizione libro: New. New.. 224 x 152 mm. Language: English . Brand New Book. Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford s assertion in 1964 that, When a motion picture is at its best, it is long on action and short on dialogue . Little serious work has been done on the subject of film dialogue, yet what characters say and how they say it has been crucial to our experience and understanding of every film since the coming of sound. Through informative discussions of dozens of classic and contemporary films - from Bringing Up Baby to Terms of Endearment , from Stagecoach to Reservoir Dogs - this lively book provides the first full-length study of the use of dialogue in American film. Sarah Kozloff shows why dialogue has been neglected in the analysis of narrative film and uncovers the essential contributions dialogue makes to a film s development and impact. She uses narrative theory and drama theory to analyze the functions that dialogue typically serves in a film. The second part of the book is a comprehensive discussion of the role and nature of dialogue in four film genres: westerns, screwball comedies, gangster films, and melodramas. Focusing on topics such as class and ethnic dialects, censorship, and the effect of dramatic irony, Kozloff provides an illuminating new perspective on film genres. Codice libro della libreria AAH9780520221383

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Descrizione libro University of California Press. Paperback. Condizione libro: new. BRAND NEW, Overhearing Film Dialogue, Sarah Kozloff, Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Ford's assertion in 1964 that, 'When a motion picture is at its best, it is long on action and short on dialogue'. Little serious work has been done on the subject of film dialogue, yet what characters say and how they say it has been crucial to our experience and understanding of every film since the coming of sound. Through informative discussions of dozens of classic and contemporary films - from "Bringing Up Baby" to "Terms of Endearment", from "Stagecoach" to "Reservoir Dogs" - this lively book provides the first full-length study of the use of dialogue in American film. Sarah Kozloff shows why dialogue has been neglected in the analysis of narrative film and uncovers the essential contributions dialogue makes to a film's development and impact. She uses narrative theory and drama theory to analyze the functions that dialogue typically serves in a film. The second part of the book is a comprehensive discussion of the role and nature of dialogue in four film genres: westerns, screwball comedies, gangster films, and melodramas. Focusing on topics such as class and ethnic dialects, censorship, and the effect of dramatic irony, Kozloff provides an illuminating new perspective on film genres. Codice libro della libreria B9780520221383

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Descrizione libro University of California Press, 2000. PAP. Condizione libro: New. New Book. Shipped from US within 10 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. Codice libro della libreria IQ-9780520221383

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Descrizione libro University of California Press, 2000. Paperback. Condizione libro: New. book. Codice libro della libreria 0520221389

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Descrizione libro University of California Press, 2000. Paperback. Condizione libro: New. Codice libro della libreria INGM9780520221383

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ISBN 10: 0520221389 ISBN 13: 9780520221383
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Descrizione libro University of California Press, 2000. Paperback. Condizione libro: New. 1. Codice libro della libreria DADAX0520221389

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Descrizione libro University of California Press. Paperback. Condizione libro: New. This item is printed on demand. Paperback. 332 pages. Since the birth of cinema, film has been lauded as a visual rather than a verbal medium; this sentiment was epitomized by John Fords assertion in 1964 that, When a motion picture is at its best, it is long on action and short on dialogue. Little serious work has been done on the subject of film dialogue, yet what characters say and how they say it has been crucial to our experience and understanding of every film since the coming of sound. Through informative discussions of dozens of classic and contemporary films--from Bringing Up Baby to Terms of Endearment, from Stagecoach to Reservoir Dogs--this lively book provides the first full-length study of the use of dialogue in American film. Sarah Kozloff shows why dialogue has been neglected in the analysis of narrative film and uncovers the essential contributions dialogue makes to a films development and impact. She uses narrative theory and drama theory to analyze the functions that dialogue typically serves in a film. The second part of the book is a comprehensive discussion of the role and nature of dialogue in four film genres: westerns, screwball comedies, gangster films, and melodramas. Focusing on topics such as class and ethnic dialects, censorship, and the effect of dramatic irony, Kozloff provides an illuminating new perspective on film genres. This item ships from La Vergne,TN. Paperback. Codice libro della libreria 9780520221383

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Kozloff, Sarah
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ISBN 10: 0520221389 ISBN 13: 9780520221383
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Descrizione libro University of California Press, 2017. Paperback. Condizione libro: New. This item is printed on demand. Codice libro della libreria 0520221389

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