This book is an analytical and critical study of Berlioz's unique musical style.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
This book is an analytical and critical study of Berlioz's unique musical style. It does not undertake to analyse all his works, but rather to separate characteristic elements and observe them in action. Berlioz's writings and those of his critics are called upon to help focus the discussion.
Part I: 1. Background and education (I): 2. Concerning method and style; 3. Concerning pitch (I): chord and progression; 4. Concerning pitch (2): chromaticism, tonal relations, and modality; 5. Education (2): concerning Catel, the guitar, and works of the 1820s; Part II: 6. Concerning instrumentation; 7. Concerning the bass; 8. Concerning counterpoint, pedal, and fugue; 9. Concerning rhythm; 10. Melody; Part III: 11. Vocal forms: Satz and Ursatz; 12. Formal schemes in instrumental music; 13. The Overture Benvenuto Cellini: an analysis; 14. The figure and the background: Faust in La damnation 15. In Conclusion.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Da: West Cove UK, Wellington, Regno Unito
Hardcover. Condizione: Very Good. Immediate dispatch from Somerset. Nice older book in good condition. Pages in good condition. Hardcover. English. See images for condition. About the book >.>.> This book is an analytical and critical study of Berlioz's unique musical style. It does not undertake to analyse all his works, but rather to separate characteristic elements and observe them in action. Berlioz's writings and those of his critics are called upon to help focus the discussion. Part I includes material on the sources of Berlioz's idiosyncrasy and a discussion of fundamental pitch elements. Part II pursues this discussion into textural, contrapuntal, and orchestral features, and considers melody and rhythm. Part III deals with whole musical forms, vocal and instrumental. The book includes copious musical illustration, much of it analytical reduction, and the expressive purpose of the features analysed is fully considered. The conclusion is that Berlioz's musical language is inescapably peculiar, though not necessarily inept; features which seem inexplicable in the light of compositional theory nearly always contribute to the musical and expressive exactness of communication. (SP). Codice articolo Batch-FM542-VG-11737
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Da: AVON HILL BOOKS, Cambridge, MA, U.S.A.
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good+. Light rubbing and scratching to dust jacket. ; tall 8vo 9" - 10" tall; 312 pp; Cambridge Studies In Music. Codice articolo 55175
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Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. No internal markings apart from author's inscription to previous owner; unclipped D/J is protected with removable premium grade clear wrap. Signed by Author(s). Codice articolo 12456
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Da: Plurabelle Books Ltd, Cambridge, Regno Unito
Hardcover. Condizione: Very Good. Series: Cambridge Studies in Music 312p hardback, black cloth with pink jacket, very good condition, minimal light wear to jacket edge, spine faded, binding tight, pages unmarked, excellent copy of a hard-to-find title Language: English. Codice articolo 118311
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