A classic work from 1982 which changed the face of art criticism in the twentieth century.
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'Word and Image repays the effort it demands in heaped measure, because Norman Bryson writes with rare intellectual exhilaration. On page after page, he detonates fresh ideas carrying far wider repercussions than his immediate subject matter. He himself has a way of turning pedagogy into pyrotechnics, just as the painters whom he discusses here with such commitment - LeBrun, Watteau, Greuze, Chardin, David - transform moral enigmas into paint.' Marina Warner, The Sunday Times
In this classic 1982 work, Norman Bryson examines the evolution of narrative styles: the kinds of stories paintings tell, the ways they communicate their information, the different techniques of presenting the body as an instrument for incorporating textual messages.
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