John Barrell's 1980 study shows why the poor interested painters and how painters could represent them for the rich.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
'This is a most original, searching and disquieting book. It will help us to look at old masters with new eyes: and also, since we are convicted by Barrell of certain nostalgic illustions about the agrarian past, it will help us to look at ourselves.' E. P. Thompson
'A brilliant reading of certain sets of pictorial conventions (signs) and of how and why they changed during a given historical period.' New Society
'Barrell has made a valuable contribution to our knowledge of the interplay between art and ideology in the eighteenth century.' Art History
'This is a book which is both enjoyable to read and informative.' Agricultural History Review
'A valuable and pertinent book which art-historians of all political persuasions ought to read.' Notes and Queries
'An important book.' Burlington Magazine
John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the décor of the salons of the rich. His terse and vigourous account has provided a landmark for literary critics, social and art historians.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: WorldofBooks, Goring-By-Sea, WS, Regno Unito
Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Codice articolo GOR001875366
Quantità: 1 disponibili
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Codice articolo GRP16916583
Quantità: 1 disponibili
Da: HPB-Red, Dallas, TX, U.S.A.
Paperback. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! Codice articolo S_406687387
Quantità: 1 disponibili
Da: Harmonium Books, Philadelphia, PA, U.S.A.
Soft cover. Condizione: Very Good. Large pbk.; a few underscored passages; no other markings; cover v good. Codice articolo ABE-1756058002005
Quantità: 1 disponibili
Da: Smith Family Bookstore Downtown, Eugene, OR, U.S.A.
Soft cover. Condizione: Very Good. Very faint creasing to upper corner of front cover, otherwise covers in very good condition. Foxing to top and fore-edge. Binding tight and text clean. Codice articolo 4432817
Quantità: 1 disponibili
Da: GreatBookPrices, Columbia, MD, U.S.A.
Condizione: New. Codice articolo 936098-n
Quantità: Più di 20 disponibili
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. The eighteenth century saw a radical change in the depiction of country life in English painting: feeling less constrained by the conventions of classical or theatrical pastoral, landscape painters attempted to offer a portrayal of what life was really like, or was thought to be like, in contemporary England; and this inevitably involved a new approach to the depiction of the rural poor. John Barrell's influential study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the decor of the salons of the rich. His discussion focuses on the work of three painters: Thomas Gainsborough, George Morland and John Constable. Throughout the book, Barrell draws illuminating comparisons with the contemporary literature of rural life and with the work of other painters. His terse and vigorous account has provided a landmark for social historians and literary critics, as well as historians of art. John Barrell's influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the decor of the salons of the rich. His terse and vigourous account has provided a landmark for literary critics, social and art historians. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780521276559
Quantità: 1 disponibili
Da: California Books, Miami, FL, U.S.A.
Condizione: New. Codice articolo I-9780521276559
Quantità: Più di 20 disponibili
Da: medimops, Berlin, Germania
Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. Codice articolo M00521276551-G
Quantità: 1 disponibili
Da: Anybook.com, Lincoln, Regno Unito
Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780521276559. Codice articolo 5580698
Quantità: 1 disponibili