In this book, David Summers provides an investigation of the philosophical and psychological notions invoked in this new theory and criticism.
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'This brilliant, stimulating study in the history of ideas should become indispensible for Renaissance art historians, and for philosophers interested in the history of the philosophy of mind and in what might be called the 'pre-history' of aesthetics.' Choice
In this book, David Summers provides an investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Paperback. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Codice articolo G0521386314I3N00
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Da: Hiding Place Books, Philadelphia, PA, U.S.A.
Soft cover. Condizione: Near Fine. Nice clean copy. Codice articolo ABE-1765030868985
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Da: Avol's Books LLC, Madison, WI, U.S.A.
Paperback. Condizione: Fine. Our copy the 2007 re-issue. Codice articolo 226258
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Da: Book House in Dinkytown, IOBA, Minneapolis, MN, U.S.A.
paperback. Condizione: Very Good. Stated first paperback printing, 1990. Spine is uncreased, binding tight and sturdy. Save toning to spine and extremities, shelfwear is very minor. Interior is free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota. Codice articolo 324235
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Da: California Books, Miami, FL, U.S.A.
Condizione: New. Codice articolo I-9780521386319
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Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. 'ith the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain, justify, and shape its new aims. In this book, David Summers provides an original investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought. 'Some of the most striking observations in this impressive book involve stepping outside the history of ideas to ground these theories in a more general social history.' -- British Journal of Aesthetics 'This brilliant, stimulating study in the history of ideas should become indispensible for renaissance art historians, and for philosophers interested in the history of the philosophy of mind and in what might be called thepre-history' of aesthetics.' -- ChoiceWith the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain In this book, David Summers provides an investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780521386319
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Da: Rarewaves.com USA, London, LONDO, Regno Unito
Paperback. Condizione: New. With the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain, justify and shape its new aims. In this book, David Summers provides an investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought. Codice articolo LU-9780521386319
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