In this book Albert Gelpi traces the emergence of American Modernist poetry as a reaction to, and outgrowth of, the Romantic ideology of the nineteenth century. He focuses on the remarkable generation of poets who came to maturity in the years of the First World War and whose works constitute the principal body of poetic Modernism in English. Gelpi argues that the essential dialectic in Modernism extends and reconstitutes issues central to Romanticism. This is expressed in the interaction between two important strains in Modernism: the Symbolist exemplified in Wallace Stevens, T. S. Eliot, Allan Tate, and Hart Crane; and the Imagist, exemplified in Ezra Pound, H. D. and William Carlos Williams.
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'The most vigorous, most consistently interesting study we have of twentieth-century American poetry in its relation to its Romantic percursors. Albert Gelpi's book is a powerful revisionist history of Modernism ... [His] breadth and range are remarkable.' Marjorie Perloff
'As distinguished a work as the author's The Tenth Muse ... The essays are unquestionable major critical and aesthetic statements on American poetry'. J. J. Patton, Choice
Professor Gelpi traces the emergence of American Modernist poetry as a reaction to, and outgrowth of, the Romantic ideology of the nineteenth century. He focuses on the generation of poets who came to maturity in the years of the First World War and whose works constitute the principal body of poetic modernism in English.
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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Paperback. Condizione: Fair. In this book Albert Gelpi traces the emergence of American Modernist poetry as a reaction to, and outgrowth of, the Romantic ideology of the nineteenth century. He focuses on the remarkable generation of poets who came to maturity in the years of the First World War and whose works constitute the principal body of poetic Modernism in English. Gelpi argues that the essential dialectic in Modernism extends and reconstitutes issues central to Romanticism. This is expressed in the interaction between two important strains in Modernism: the Symbolist exemplified in Wallace Stevens, T. S. Eliot, Allan Tate, and Hart Crane; and the Imagist, exemplified in Ezra Pound, H. D. and William Carlos Williams. Codice articolo 00102342546
Quantità: 1 disponibili
Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Codice articolo 6533747-6
Quantità: 1 disponibili
Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Codice articolo G052138687XI4N00
Quantità: 1 disponibili
Da: World of Books Inc, Montgomery, IL, U.S.A.
Paperback. Condizione: Fair. In this book Albert Gelpi traces the emergence of American Modernist poetry as a reaction to, and outgrowth of, the Romantic ideology of the nineteenth century. He focuses on the remarkable generation of poets who came to maturity in the years of the First World War and whose works constitute the principal body of poetic Modernism in English. Gelpi argues that the essential dialectic in Modernism extends and reconstitutes issues central to Romanticism. This is expressed in the interaction between two important strains in Modernism: the Symbolist exemplified in Wallace Stevens, T. S. Eliot, Allan Tate, and Hart Crane; and the Imagist, exemplified in Ezra Pound, H. D. and William Carlos Williams. Codice articolo CIN052138687XA
Quantità: 1 disponibili
Da: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
paperback. Condizione: Good. first paperback edition Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized. Codice articolo mon0000314497
Quantità: 1 disponibili
Da: Blue Sky Rare Books, Palm Springs, CA, U.S.A.
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: VG+. First Edition. . Book near fine, DJ VG+ in mylar. Nice book. Codice articolo 002894
Quantità: 1 disponibili
Da: The Haunted Bookshop, LLC, Iowa City, IA, U.S.A.
Softcover. Condizione: Very Good. Pages crisp and clean except for mild dust staining along the top edges; binding square, spine uncreased, soft cover only modestly shelfworn at corners and spine ends with a few small edge creases, otherwise excellent. Codice articolo 048015
Quantità: 1 disponibili
Da: HPB-Ruby, Dallas, TX, U.S.A.
paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Codice articolo S_481095642
Quantità: 1 disponibili
Da: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Condizione: Very Good. The author traces the emergence of American Modernist poetry as a reaction to, and outgrowth of, the Romantic ideology of the 19th century. He focuses on the generation of poets who came to maturity in the years of World War I, whose works constitute the principal body of poetic Modernism. Num Pages: 496 pages, black & white illustrations. BIC Classification: 1KBB; 2ABM; 3JJ; DSBH; DSC. Category: (P) Professional & Vocational. Dimension: 228 x 152 x 28. Weight in Grams: 720. First paperback edition, 1990. Good clean copy. Covers showing light shelf wear. Lightly toned, text clear, remains a very good copy. 1990. First paperback edition. paperback. . . . . Codice articolo KSG0040349
Quantità: 1 disponibili
Da: Inquiring Minds, Saugerties, NY, U.S.A.
Trade Paperback. Condizione: Used - Very Good. Codice articolo 581947
Quantità: 1 disponibili