Mark Jancovich examines the development of the New Criticism during the late 1920s and early 1930s, and its establishment within the academy.
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In this book Mark Jancovich examines the development of the New Criticism during the late 1920s and early 1930s, and its establishment within the academy, through the works of three leading American writers, Robert Penn Warren, John Crowe Ransom and Allen Tate.
Preface; List of abbreviations; Part I. The New Criticism and its Critics: 1. Contemporary responses to the New Criticism; 2. The historical context of the New Criticism; 3. Before the New Criticism; Conclusion; Part II. The Formation of the New Criticism: Introduction; 4. John Crowe Ransom: the social relations of aesthetic activity; 5. Allen Tate: the social organisation of literature; 6. Robert Penn Warren: against propaganda and irresponsibility; Conclusion: the analysis of a Southern poet; Part III. The Establishment of the New Criticism: Introduction; 7. The origins of academic involvement; 8. Understanding literature: textbooks and the distribution of the New Criticism; 9. The form of criticism; Part IV. The Development of the New Criticism: Introduction; 10. John Crowe Ransom: the isolation of aesthetic activity; 11. Allen Tate: the man of letters and the cold war; 12. Robert Penn Warren: literature and social engagement; Part V. Conclusion: Modernism and Postmodernism Within the American Academy: Introduction; 13. The professionalization of literary study; 14. The New Critical intervention; 15. Cultural criticism and postmodernity; Conclusion; Notes; Bibliography; Index.
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