A new theory of musical modernism, which brings contemporary philosophy into contact with music theory and interpretation.
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J. P. E. Harper-Scott is Reader in Musicology and Theory at Royal Holloway, University of London. He has published widely on Elgar, Wagner, Britten and symphonic music and opera of the late nineteenth and twentieth centuries and his books include Elgar Studies (edited with Julian Rushton), An Introduction to Music Studies (edited with Jim Samson) and Edward Elgar, Modernist. His work has strong intersections with continental philosophy and psychoanalysis (Heidegger, Badiou, Žižek and Lacan) and has increasingly come to espouse an explicitly Leftist perspective.
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Destinazione, tempi e costiDa: Moe's Books, Berkeley, CA, U.S.A.
Hard cover. Condizione: Good. Condizione sovraccoperta: Good. Jacket is lightly worn, especially along edges. Spine is cocked. Paste-down end leaves are worn at the spine. Inside is clean and unmarked. Codice articolo 1139549
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Da: Labyrinth Books, Princeton, NJ, U.S.A.
Condizione: Very Good. Codice articolo 223625
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Da: Mullen Books, ABAA, Marietta, PA, U.S.A.
Hardcover. black cloth on board with black and color illustrated dust jacket. xxii, 277 pages : illustrations, music. contents as follows: A ruthless criticism Of everything existing. Modernism as we know it, ideology, and the quilting point -- Relationship problems. Modernism, love, and truth ; The love of Troilus and Cressida -- The revolutionary kernel of reactionary music. Communist modernism ; A new community -- Afterword : what to do? Modernism is both a contested aesthetic category and a powerful political statement. Modernist music was condemned as degenerate by the Nazis and forcibly replaced by socialist realism under the Soviets. Sympathetic philosophers and critics have interpreted it as a vital intellectual defence against totalitarianism, yet some American critics consider it elitist, undemocratic, and even unnatural. Drawing extensively on the philosophy of Heidegger and Badiou, Quilting Points proposes a new dialectical theory of faithful, reactive, and obscure subjective responses to musical modernism, which embraces all the music of Western modernity. Like new with instances of marginalia by a knowledgable hand and a moderate amount of very light pencil underlining throughout. Codice articolo 174247
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Da: Majestic Books, Hounslow, Regno Unito
Condizione: New. pp. xxii + 277 52 Illus. Codice articolo 3186316
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Da: Ria Christie Collections, Uxbridge, Regno Unito
Condizione: New. In. Codice articolo ria9780521765213_new
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Hardcover. Condizione: Brand New. 1st edition. 304 pages. 9.76x1.02x6.77 inches. In Stock. This item is printed on demand. Codice articolo __0521765218
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Da: HPB-Red, Dallas, TX, U.S.A.
hardcover. Condizione: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! Codice articolo S_359752269
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Hardback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 730. Codice articolo C9780521765213
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Da: Books Puddle, New York, NY, U.S.A.
Condizione: New. pp. xxii + 277. Codice articolo 264661587
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Da: moluna, Greven, Germania
Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. J. P. E. Harper-Scott s book proposes a new theory of musical modernism, bringing contemporary philosophy into contact with music theory and interpretation. It explores the capacity for music to challenge cultural and political ideas and provides a critique. Codice articolo 545048353
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