The Cambridge Companion to Twentieth-Century Opera - Rilegato
Libro 42 di 91: Cambridge Companions to Music
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A collection of specially commissioned essays investigating the extraordinary diversity of twentieth-century opera.
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Informazioni sull?autore
Mervyn Cooke is Professor of Music at the University of Nottingham. His books include studies of Britten's Billy Budd and War Requiem (Cambridge University Press), Britten and the Far East, Jazz, and The Chronicle of Jazz; he has also edited The Cambridge Companion to Benjamin Britten and (with David Horn) The Cambridge Companion to Jazz. He is currently writing a history of film music for Cambridge University Press, and is a co-editor of the ongoing and critically acclaimed edition of Britten's correspondence published by Faber. He is also active as a pianist and composer, his compositions having been broadcast on BBC Radio 3 and Radio France, and performed at London's South Bank and St John's Smith Square.
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The Cambridge Companion to Twentieth-Century Opera (Cambridge Companions to Music)
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Cambridge University Press, 2006
ISBN 10: 0521780098
ISBN 13: 9780521780094
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The Cambridge Companion to Twentieth-Century Opera (Hardcover)
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Cambridge University Press, Cambridge, 2006
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ISBN 13: 9780521780094
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Hardcover. Condizione: new. Hardcover. This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace. Celebrating the extraordinary diversity of operatic achievements in the twentieth century, this Companion brings together the work of scholars from both sides of the Atlantic. Beginning with a survey of operatic legacies, the volume analyzes regional styles and aesthetic trends, and features essays on opera and film, popular operetta and the musical, avant-garde music theatre and minimalism, market forces, changing styles and production trends. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Codice articolo 9780521780094
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Hardcover. Condizione: Brand New. illustrated edition. 424 pages. 10.00x7.00x1.25 inches. In Stock. This item is printed on demand. Codice articolo __0521780098
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Cambridge University Press, Cambridge, 2006
ISBN 10: 0521780098
ISBN 13: 9780521780094
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Hardcover. Condizione: new. Hardcover. This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace. Celebrating the extraordinary diversity of operatic achievements in the twentieth century, this Companion brings together the work of scholars from both sides of the Atlantic. Beginning with a survey of operatic legacies, the volume analyzes regional styles and aesthetic trends, and features essays on opera and film, popular operetta and the musical, avant-garde music theatre and minimalism, market forces, changing styles and production trends. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Codice articolo 9780521780094
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Gebunden. Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This Companion explores the extraordinary diversity of opera in the twentieth century. The volume includes essays devoted to individual composers, from Debussy to John Adams, avant-garde music theatre, operettas and musicals, and filmed opera, and ends with. Codice articolo 446946858
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The Cambridge Companion to Twentieth-Century Opera (Hardcover)
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Cambridge University Press, Cambridge, 2006
ISBN 10: 0521780098
ISBN 13: 9780521780094
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Hardcover. Condizione: new. Hardcover. This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace. Celebrating the extraordinary diversity of operatic achievements in the twentieth century, this Companion brings together the work of scholars from both sides of the Atlantic. Beginning with a survey of operatic legacies, the volume analyzes regional styles and aesthetic trends, and features essays on opera and film, popular operetta and the musical, avant-garde music theatre and minimalism, market forces, changing styles and production trends. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Codice articolo 9780521780094
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Buch. Condizione: Neu. The Cambridge Companion to Twentieth-Century Opera | Mervyn Cooke | Buch | Buch Gebunden | Englisch | 2010 | Cambridge University Press | EAN 9780521780094 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. Codice articolo 102299836
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