This fresh voice in American poetry wields lyric pleasure and well-honed insight against a cruel century that would kill us with a thousand cuts.
"Morín's writing uses the mundane details of everyday life...as a jumping-off point for creating fascinating and philosophical worlds." —LitHub
"Dios aprieta, pero no ahorca" ("God squeezes, but He doesn't strangle")--the epigraph of Machete--sets the stage for a powerful poet who summons a variety of ways to endure life when there's an invisible hand at your throat. Tomás Morín hails from the coastal plains of Texas, and explores a world where identity and place shift like that ever-changing shore.
In these poems, culture crashes like waves and leaves behind Billie Holiday and the CIA, disco balls and Dante, the Bible and Jerry Maguire. They are long, lean, and dazzle in their telling: "Whiteface" is a list of instructions for people stopped by the police; "Duct Tape" lauds our domestic life from the point of view of the tape itself.
One part Groucho Marx, one part Job, Morín considers our obsession with suffering--"the pain in which we trust"--and finds that the best answer to our predicament is sometimes anger, sometimes laughter, but always via the keen line between them that may be the sharpest weapon we have.
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TOMÁS Q. MORÍN is the author of the memoir Let Me Count the Ways, forthcoming from University of Nebraska Press, as well as the poetry collections Patient Zero and A Larger Country. He is coeditor, with Mari L'Esperance, of the anthology Coming Close: Forty Essays on Philip Levine and translator of The Heights of Macchu Picchu by Pablo Neruda. He teaches at Rice University and Vermont College of Fine Arts. Morín lives with his family in Texas.
I Sing the Body Aquatic
When I offer my sweaty hand in greeting
I can see the future. No matter how gently you squeeze, I know
when our hands meet you will crowd my crooked index and pinkie fingers
against their straight-as-an-arrow brothers
so that my hand looks more like a fin
than an appendage perfectly evolved
for tying shoelaces or wiping a tear
from the red face of the missionary
who rode his bicycle under the sun
all day to reach my porch.
When he takes my hand he won’t find hope
or brotherhood or whatever he’s looking for. Because I can see
the future at times like this
and because I have an unshakable faith in the law of averages, I know
when our hands embrace he’ll find
proof of natural selection
in the shape of my fingers, evolutionary
holdovers from an era of gills
when the earth was all aquarium
and some distant relative with sleepy eyes
and splayed fins who tired of being mocked by handsome carp said, To hell with it
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Da: World of Books (was SecondSale), Montgomery, IL, U.S.A.
Hardback. Condizione: Very Good. This fresh voice in American poetry wields lyric pleasure and well-honed insight against a cruel century that would kill us with a thousand cuts. Mor n's writing uses the mundane details of everyday life . . . as a jumping-off point for creating fascinating and philosophical worlds. --LitHub Dios aprieta, pero no ahorca (God squeezes, but He doesn't strangle)--the epigraph of Machete--sets the stage for a powerful poet who summons a variety of ways to endure life when there's an invisible hand at your throat. Tom s Mor n hails from the coastal plains of Texas, and explores a world where identity and place shift like that ever-changing shore. In these poems, culture crashes like waves and leaves behind Billie Holiday and the CIA, disco balls and Dante, the Bible and Jerry Maguire. They are long, lean, and dazzle in their telling: Whiteface is a list of instructions for people stopped by the police; Duct Tape lauds our domestic life from the point of view of the tape itself. One part Groucho Marx, one part Job, Mor n considers our obsession with suffering--the pain in which we trust--and finds that the best answer to our predicament is sometimes anger, sometimes laughter, but always via the keen line between them that may be the sharpest weapon we have. Codice articolo 00092878715
Quantità: 1 disponibili
Da: Greenworld Books, Arlington, TX, U.S.A.
Condizione: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy. Codice articolo GWV.0593319648.VG
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Da: World of Books Inc, Montgomery, IL, U.S.A.
Hardback. Condizione: Very Good. This fresh voice in American poetry wields lyric pleasure and well-honed insight against a cruel century that would kill us with a thousand cuts. Mor n's writing uses the mundane details of everyday life . . . as a jumping-off point for creating fascinating and philosophical worlds. --LitHub Dios aprieta, pero no ahorca (God squeezes, but He doesn't strangle)--the epigraph of Machete--sets the stage for a powerful poet who summons a variety of ways to endure life when there's an invisible hand at your throat. Tom s Mor n hails from the coastal plains of Texas, and explores a world where identity and place shift like that ever-changing shore. In these poems, culture crashes like waves and leaves behind Billie Holiday and the CIA, disco balls and Dante, the Bible and Jerry Maguire. They are long, lean, and dazzle in their telling: Whiteface is a list of instructions for people stopped by the police; Duct Tape lauds our domestic life from the point of view of the tape itself. One part Groucho Marx, one part Job, Mor n considers our obsession with suffering--the pain in which we trust--and finds that the best answer to our predicament is sometimes anger, sometimes laughter, but always via the keen line between them that may be the sharpest weapon we have. Codice articolo CIN0593319648VG
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Da: Wonder Book, Frederick, MD, U.S.A.
Condizione: As New. Like New condition. Like New dust jacket. A near perfect copy that may have very minor cosmetic defects. Codice articolo I09D-03941
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Da: Better World Books, Mishawaka, IN, U.S.A.
Condizione: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Codice articolo 53311273-6
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Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Codice articolo G0593319648I4N00
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Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Codice articolo G0593319648I3N00
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Da: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condizione: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Codice articolo G0593319648I3N10
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Da: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Codice articolo G0593319648I4N00
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Da: Goodwill Southern California, Los Angeles, CA, U.S.A.
Condizione: good. Hardcover Book. Includes dustjacket. Codice articolo 4CJULU001OTL
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