Graham Greene’s passion for moral complexity and his stylistic aplomb were perfectly suited to the cat-and mouse game of the spy novel, a genre he practically invented and to which he periodically returned while fashioning one of the twentieth century’s longest, most triumphant literary careers. Written late in his life, The Human Factor displays his gift for suspense at its most refined level, and his understanding of the physical and spiritual vulnerability of the individual at its deepest.
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The Human Factor is Greene’s most extensive attempt to incorporate into fiction what he had learned of espionage when recruited by MI6 during World War II . . . What it offers is a veteran excursion into Greene’s imaginative world . . . Sometimes seen as a brooding prober into the dark recesses of the soul where sins and scruples alike fester, he is equally at home in sending a narrative careering along at break-neck pace . . . Raising the demarcation line between ‘serious’ fiction and fast-plotted entertainment, Greene ensures that components of both jostle energizingly together in his pages.” –from the Introduction by Peter Kemp
Graham Greene was born in 1904. While at Balliol College, Oxford, he published his first book of verse. He continues to write throughout his lifetime, and is the author of The Third Man, Our Man in Havana, The Quiet American, and The End of the Affair, in addition to many other novels, short story collections, plays, essays, travel books, and film scripts. During World War II he served with the British Secret Intelligence Service. He died in 1991.
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