This is a painfully drawn portrayal of private life, but its wider subject-matter also makes it a fictional document of post-revolutionary France.
Many people (among them Henry James) have considered Balzac to be the greatest of all novelists. Eugenie Grandet, his spare, classical story of a girl whose life is blighted by her father's hysterical greed, goes a long way to justifying that opinion. One of the most magnificent of his tales of early nineteenth-century French provincial life, this novel is the work of a writer on whom nothing was lost, and who represents most fully the ability of the human animal to understand and illuminate its own condition.
Translated By Ellen Marriage With An Introduction By Fredric R. Jameson
Fredric R. Jameson is William A. Lane, Jr. Professor of Comparative Literature at Duke University in North Carolina. His publications include Sartre: The Origins of a Style, Signatures of the Visible, and Post-modernism, or, The Cultural Logic of Late Capitalism, with Aesthetics of the Geopolitical forthcoming.
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The son of a civil servant, Honoré de Balzac was born in 1799 in Tours, France. After attending boarding school in Vendôme, he gravitated to Paris where he worked as a legal clerk and a hack writer, using various pseudonyms, often in collaboration with other writers. Balzac turned exclusively to fiction at the age of thirty and went on to write a large number of novels and short stories set amid turbulent nineteenth-century France. He entitled his collective works The Human Comedy. Along with Victor Hugo and Dumas père andfils, Balzac was one of the pillars of French romantic literature. He died in 1850, shortly after his marriage to the Polish countess Evelina Hanska, his lover of eighteen years.
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