This is a story that begins when Elena McMahon, estranged from her powerful husband in California and covering the 1984 primary campaign for the Washington Post, makes her way to Florida to see her father, Dick McMahon, who does deals.
Tracing Elena's fevered trajectory, the narrator makes it clear that this is her version of what happened, not the version offered by the F.B.I. interviews or by Senator Mark Berquist or by the late Ambassador-at-Large Treat Morrisson. What happens is a story that shifts quickly from Elena's well-mapped life expensive people and political fund-raisers to a journey without maps, an investigation into the randomness of history, into intentions spun out of control and gone wrong, arms dealing, covert action, assassination.
As connections are made between November 22, 1963, and Iran-Contra and Castro and Cuba, we begin to see what the narrator/author calls history's subtext.
Joan Didion has given us an exploration of menace and ellipsis charged with irony, exciting in its storytelling and intellectual reach - a story that clicks into place only in the final pages.
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Joan Didion was born in Sacramento, California. She has written four previous novels, five nonfiction books, and frequently contributes to The New York Review of Books and The New Yorker.
te, fast-paced story, whose many scenes and details fit together like so many pieces of a jigsaw puzzle, is Didion's incisive and chilling look at a modern world where things are not working as they should and where the oblique and official language is as sinister as the events it is covering up.
The narrator introduces Elena McMahon, estranged from a life of celebrity fundraisers and from her powerful West Coast husband, Wynn Janklow, whom she has left, taking Catherine, her daughter, to become a reporter for The Washington Post. Suddenly walking off the 1984 campaign, she finds herself boarding a plane for Florida to see her father, Dick McMahon. She becomes embroiled in her Dick's business though "she had trained herself since childhood not to have any interest in what he was doing." It is from this moment that she is caught up in something much larger than she could have imagined, something that includes Ambassador-at-Large Treat Austin Morrison and Alexander Brokaw, the amb
te, fast-paced story, whose many scenes and details fit together like so many pieces of a jigsaw puzzle, is Didion's incisive and chilling look at a modern world where things are not working as they should and where the oblique and official language is as sinister as the events it is covering up.
The narrator introduces Elena McMahon, estranged from a life of celebrity fundraisers and from her powerful West Coast husband, Wynn Janklow, whom she has left, taking Catherine, her daughter, to become a reporter for The Washington Post. Suddenly walking off the 1984 campaign, she finds herself boarding a plane for Florida to see her father, Dick McMahon. She becomes embroiled in her Dick's business though "she had trained herself since childhood not to have any interest in what he was doing." It is from this moment that she is caught up in something much larger than she could have imagined, something that includes Ambassador-at-Large Treat Austin Morrison and Alexander Brokaw, the amb
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