The execution by firing squad in 1867 of Maximilian, the puppet emperor installed in Mexico by Napoleon III, was to have far-reaching implications, shattering the international prestige of France and hastening the collapse of the Second Empire.
Edouard Manet was an opponent of Napoleon's authoritarian government, and was regarded in Paris as a dangerously non-conformist artist. Between 1867 and 1869 he made three separate attempts to create a monumental painting of the execution. He attracted political censorship, but equally he aroused hostility by his subversive style, which deliberately rejected the conventions of history painting.
This comprehensive study was inspired by an exhibition at the National Gallery in London, which united the three paintings for the first time since Manet's death in 1883. Manet's paintings are illustrated alongside contemporary prints and photographs, as well as major works that reveal how Manet tackled a range of current issues.
Juliet Wilson-Bareau, who has uncovered a wealth of new material on this subject, discusses possible sources for the paintings and the development of Manet's imagery. The Maximilian paintings are often seen as an isolated outburst of political sentiment in his career, but Juliet Wilson-Bareau argues that many of his most familiar works of the 1860s may contain references to contemporary events.
Douglas Johnson's historical account of the French intervention in Mexico, and John House's discussion of Salon painting in the 1860s, place Manet's choice of subject and of style in a broad context of political and artistic opposition to Napoleon III. John House describes a general decline in history painting in the second half of the nineteenth century and shows how Manet's unassertive and wholly modern scene of martyrdom not only went against academic tradition but, just because of its ambiguities and its inexpressiveness, made a strong political statement and became a potent symbol of failed imperial ambition.
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Book by WilsonBareau Juliet
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Da: Ultramarine Books, Brooklyn, NY, U.S.A.
Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. London: National Gallery Publications, 1992. 138 pages; 115 illustrations, color and b&w; Provenance and Exhibition History of the Maximilian Paintings; Chronology 1821-84 (global historic events); Bibliography. An exhibition of Manet's three Maximilian Paintings, the first time since his death and an examination of the political import of the paintings and of the execution, itself. First Edition. Cloth. Fine/Fine. 4to. Language: ENG. Codice articolo 002219
Quantità: 1 disponibili
Da: Foster Books - Stephen Foster - ABA, ILAB, & PBFA, London, Regno Unito
Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 128 pp., published to accompany the exhibition at the National Gallery in London in 1992. 0691032092 4to. Codice articolo 57566
Quantità: 1 disponibili
Da: Toscana Books, AUSTIN, TX, U.S.A.
Hardcover. Condizione: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Codice articolo Scanned0691032092
Quantità: 1 disponibili
Da: A Cappella Books, Inc., Atlanta, GA, U.S.A.
Oversized Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Codice articolo 273729
Quantità: 1 disponibili
Da: Les Livres des Limbes, Chisseaux, Francia
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Shadow marks in black background of dust jacket due to mild scuffing. In every other respect like new condition. Illustrations, 132 pages, 23 x 27,8 cm. 132 p. Book. Codice articolo 017307
Quantità: 1 disponibili
Da: BennettBooksLtd, San Diego, NV, U.S.A.
Hardcover. Condizione: New. In shrink wrap. Looks like an interesting title! Codice articolo Q-0691032092
Quantità: 1 disponibili