Now famous for their immediate impact of color, light, and atmospheric effect, the landscapes of Romantic painter J.M.W. Turner (1775-1851) were at first the object of opposing critical claims: from one side the British artist was charged with painting "pictures of nothing and very like," from the other, with allowing too much "content" to eclipse his presentation of nature. Taking this paradox as its starting point, Kathleen Nicholson's richly illustrated book proposes a thorough revision of how we understand the enigmatic artist who revolutionized landscape painting. Advancing the growing interest in Turner's handling of content, without ignoring questions of style, Nicholson shows how Turner used the themes of antiquity to explore the ways natural imagery can embody meaning, and how he came to view interpretation itself as a primary subject.
Nicholson maintains that by seeking themes in ancient myth, culture, and history, Turner was able to reinvest nature with new values and concepts, thereby accomplishing a genuinely modern revision of classical landscape in an early nineteenth-century idiom. His inquiry into the nature of meaning, she argues, led him to articulate a narrative that engaged the viewer in "reading" or interpreting both symbolic and purely visual imagery. Among the first to analyze systematically the themes treated in Turner's early sketchbooks, Nicholson traces the artist's understanding of a given legend, ancient author, or formal source as it developed over time, providing rare insight into the extent and character of his manipulation of subject matter.
Le informazioni nella sezione "Riassunto" possono far riferimento a edizioni diverse di questo titolo.
"In Turner's Classical Landscapes: Myth and Meaning, Kathleen Nicholson allows us to see the old system collapse in slow motion, to watch as one of the greatest of Western artists tries to come to terms with a reality that has changed beyond all reckoning."--The Journal of Art
302 pp. Jaquette insolée.
Le informazioni nella sezione "Su questo libro" possono far riferimento a edizioni diverse di questo titolo.
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Da: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. First edition. Quarto. 302pp. Brown cloth boards. Illustrated with black and white and color plates. Slightly bowed boards, lightly age-toned page edge else near fine in a near fine lightly spine faded dustwrapper with some rubbing and edge wear. A study of the mythology and meaning behind the classical landscapes of English painter J.M.V. Turner. Codice articolo 374619
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Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Edition. Hardcover with dustjacket. First edition. Brown cloth boards, near pristine. Protected dustjacket is bright and sharp. Book is firm in binding, b&w and color illustrations throughout; previous owner's inscription to front endpaper. With 384 plates, 32 in color. 302 pp. Including index. Free of any markings, not ex-library. ; Oblong 4to 11" - 13" tall. Codice articolo 14716
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Hardbound. Brown cloth with gold lettering; color pictorial dj with brown lettering; 302 pp. with 16 color and bw plates and 152 bw figures; Nicholson maintains that by seeking themes in ancient myth, culture and history, Turner was able to reinvest nature with new values and concepts, thereby accomplishing a genuinely modern revision of classical landscape in an early nineteenth-century idiom. VG+/VG- with small tear to bottom of dj at spine; Codice articolo 117511
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