In this collection honoring Robert A. Koch, Professor Emeritus at Princeton University, eight of his former students employ a variety of methods to investigate topics in Northern Renaissance art and society. Drawing on approaches as disparate as archival research and mycology, these papers reflect the richly varied modes of inquiry currently being pursued in Northern Renaissance studies.
Cryptic iconography is unveiled by Gregory Clark, who examines sinister plant symbolism in Bosch, and by Charles Minott, who detects significant patterns in the painted and carved scenes of the Baerze-Broederlam altarpiece. Lynn Jacobs draws on contemporary documents to construct a detailed account of the commissioning of Early Netherlandish carved altarpieces, while David Farmer provides a wide-ranging study of evolving workshop practices in the atelier of Bernard van Orley. Images with both theological and social implications are the subjects of Craig Harbison's reading of the sexuality of Christ in a print by Burgkmair, and of Dorothy Limouze's study of the reception of prints by Jan Sadeler and Joos van Winghe in Catholic and Protestant milieus. John Hand introduces a Saint Jerome in His Study, attributing it to Joos van Cleve and placing it in the broader context of van Cleve's images of Jerome; and the late Burr Wallen investigates the meaning and influence of the concepts of gloire and vaine gloire within the Burgundian chivalric ethos.
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"This collection of essays by former students honors the excellent and loving teaching of Robert A. Koch.... Space does not allow for adequate praise ... of the essays.... The collection of articles in this slim volume represents years of work, research, and training, and generations of sharing and excellence."--Sixteenth Century Journal
| Acknowledgments | ||
| Introduction | ||
| Selected Bibliography of Robert A. Koch | ||
| List of Illustrations | ||
| Bosch's Saint John the Baptist in the Wilderness and the Artist's "Fleurs du Mal" | 3 | |
| How One Workshop Worked: Bernard van Orley's Atelier in Early Sixteenth-Century Brussels | 21 | |
| Saint Jerome in His Study by Joos van Cleve | 53 | |
| The Sexuality of Christ in the Early Sixteenth Century in Germany | 69 | |
| The Commissioning of Early Netherlandish Carved Altarpieces: Some Documentary Evidence | 83 | |
| Protestant Madonnas Revisited: Iconographic Duality in Works by Jan Sadeler and Joos van Winghe | 115 | |
| The Meaning of the Baerze-Broederlam Altarpiece | 131 | |
| Burgundian Gloire vs. Vaine Gloire: Patterns of Neochivalric Psychomachia | 147 |
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Da: Lowry's Books, Three Rivers, MI, U.S.A.
Hardcover. Condizione: Very Good. No Jacket. This tall thin book has little corner bumping or edge wear. Interior text is clean and tight in binding. Numerous black and white illustrations throughout. Codice articolo 605920
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Da: Cotswold Internet Books, Cheltenham, Regno Unito
1st edition. Red cloth with gilt lettering. A bright, tidy copy in tight binding with b/w illustrations. Used - Very Good. VG hardback (no dust jacket). Codice articolo BOOKS261811I
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Hardcover. Condizione: Good. 1st Edition. see photos. Codice articolo 014972
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Da: Posthoc Books [IOBA], Grafton, NH, U.S.A.
Hardcover. Condizione: New. Condizione sovraccoperta: None, as Issued. 1st Edition. xviii + 171 pp + 4 plates.Red cloth, gilt titles. NEW. No defects. "In this collection honoring Robert A. Koch, Professor Emeritus at Princeton University, eight of his former students employ a variety of methods to investigate topics in Northern Renaissance art and society. Drawing on approaches as disparate as archival research and mycology, these papers reflect the richly varied modes of inquiry currently being pursued in Northern Renaissance studies.Cryptic iconography is unveiled by Gregory Clark, who examines sinister plant symbolism in Bosch, and by Charles Minott, who detects significant patterns in the painted and carved scenes of the Baerze-Broederlam altarpiece. Lynn Jacobs draws on contemporary documents to construct a detailed account of the commissioning of Early Netherlandish carved altarpieces, while David Farmer provides a wide- ranging study of evolving workshop practices in the atelier of Bernard van Orley. Images with both theological and social implications are the subjects of Craig Harbison's reading of the sexuality of Christ in a print by Burgkmair, and of Dorothy Limouze's study of the reception of prints by Jan Sadeler and Joos van Winghe in Catholic and Protestant milieus. John Hand introduces a Saint Jerome in His Study, attributing it to Joos van Cleve and placing it in the broader context of van Cleve's images of Jerome; and the late Burr Wallen investigates the meaning and influence of the concepts of gloire and vaine gloire within the Burgundian chivalric ethos.". Codice articolo AR040201
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Da: Henry Pordes Books Ltd, London, Regno Unito
Hardcover. Condizione: Very Good. Hardcover, 4to, pp.194. Red cloth boards with gilt lettering, no dust jacket, Very Good condition. Codice articolo 037204
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Da: Labyrinth Books, Princeton, NJ, U.S.A.
Condizione: New. Codice articolo 179114
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Da: The Isseido Booksellers, ABAJ, ILAB, Tokyo, Giappone
Hardcover. Condizione: Good. No Jacket. 4to. xviii, 171pp. Frontispiece. 57 illus. on plates.Original cloth, slightly worn. Codice articolo Y21050080
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Condizione: New. Satisfaction Guaranteed or your money back. Codice articolo 069104340X
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Da: Ground Zero Books, Ltd., Silver Spring, MD, U.S.A.
Hardcover. Condizione: Very good. Presumed First Edition, First printing. The format is approximately 7.75 inches by 10.25 inches. xviii, 171, [9] pages. Illustrations. Footnotes. Selected Bibliography of Robert A. Koch. No dust jacket present. Gilt lettering on front cover and spine. Signed with date on the fep. Signature may be that of Harbison--one of the contributors. Acknowledgements by Barbara T. Ross, Associated Curator of Prints and Drawings, The Art Museum, Princeton University. Introduction by John Oliver Hand, National Gallery of Art, Washington, D.C. Robert Koch was a professor emeritus of art at Princeton. In 1942, Koch earned a master's degree from the University of North Carolina. After Army service from 1942 to 1946, he earned in 1954 a Ph.D. in art from Princeton. He started at Princeton in 1948 as a teaching assistant, and in 1949 he became anassistant director of Princeton University Art Museum. Koch became an assistant professor in 1955 and in 1966 was promoted to full professor. He remained as assistant director of the art museum until 1962, and then was faculty curator of prints. He retired in 1990. A scholar of Northern Renaissance art, Koch received a Fulbright grant in 1956 for study in Belgium, and in 1961 won a grant from the American Council of Learned Societies. He authored several books. As described in Princeton Alumni Weekly's June 2, 2010, article "When Art Historians Went to War," more than a dozen Princetonians helped locate and return Nazi-confiscated art works for the Monuments, Fine Arts, and Archives Service. Koch was one of these "Monuments Men," the last surviving Princetonian among them. In this collection honoring Robert A. Koch, Professor Emeritus at Princeton University, eight of his former students employ a variety of methods to investigate topics in Northern Renaissance art and society. Drawing on approaches as disparate as archival research and mycology, these papers reflect the richly varied modes of inquiry currently being pursued in Northern Renaissance studies. Cryptic iconography is unveiled by Gregory Clark, who examines sinister plant symbolism in Bosch, and by Charles Minott, who detects significant patterns in the painted and carved scenes of the Baerze-Broederlam altarpiece. Lynn Jacobs draws on contemporary documents to construct a detailed account of the commissioning of Early Netherlandish carved altarpieces, while David Farmer provides a wide-ranging study of evolving workshop practices in the atelier of Bernard van Orley. Images with both theological and social implications are the subjects of Craig Harbison's reading of the sexuality of Christ in a print by Burgkmair, and of Dorothy Limouze's study of the reception of prints by Jan Sadeler and Joos van Winghe in Catholic and Protestant milieus. John Hand introduces a Saint Jerome in His Study, attributing it to Joos van Cleve and placing it in the broader context of van Cleve's images of Jerome; and the late Burr Wallen investigates the meaning and influence of the concepts of gloire and vaine gloire within the Burgundian chivalric ethos. Codice articolo 89797
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Da: Mispah books, Redhill, SURRE, Regno Unito
Hardcover. Condizione: Very Good. Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book. Codice articolo ERICA829069104340X6
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